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Wednesday, March 11, 2026

  Introduction to Joshua [1] Hail the conquering hero ! Beowulf , Alexander the Great , Xerxes , Romulans , Marcus Aurelius , Hannibal, Caes...

Nineveh 90 Consecration-

The Path of the Three Hearts

The Path of the Three Hearts
The Path of the Three Hearts

Total Consecration to the Immaculate Heart of Mary

Total Consecration to the Immaculate Heart of Mary
Day 14

Nineveh 90

Nineveh 90
Nineveh 90-Love the Lord with all your heart, mind, soul and strength

Wednesday, March 18, 2026

 



The Bells of St. Mary’s (1945) is one of those rare films that feels like a warm chapel on a cold morning—gentle, humorous, and quietly profound. Let’s shape it in your devotional‑film format, with the same clarity, cadence, and pastoral resonance you’ve been cultivating.

🎬 Film Details

  • Title: The Bells of St. Mary’s
  • Year: 1945
  • Director: Leo McCarey
  • Stars: Bing Crosby (Father O’Malley), Ingrid Bergman (Sister Mary Benedict)
  • Studio: RKO Radio Pictures
  • Genre: Drama / Comedy
  • Sequel Context: Follows McCarey’s earlier Going My Way (1944), but stands fully on its own.

πŸ•―️ Story Summary

Father O’Malley arrives at St. Mary’s, a struggling parochial school run by a devoted community of Sisters. His easygoing pastoral style immediately contrasts with the disciplined, idealistic approach of Sister Mary Benedict. Their shared mission—to save the school—draws them into a series of tender, humorous, and spiritually charged encounters.

A wealthy businessman, Horace Bogardus, plans to demolish the school to expand his office complex. The Sisters pray instead that he will give them the new building. Meanwhile, Father O’Malley navigates the needs of the students, including a shy boy who needs confidence and a young woman whose home life requires delicate pastoral care.

The film culminates in a quiet miracle of providence, a reconciliation of wills, and a parting between O’Malley and Sister Benedict that is as moving as it is understated.

πŸ•Š️ Historical & Cultural Notes

  • Released just months after WWII, the film’s tone of healing, rebuilding, and gentle authority resonated deeply with American audiences.
  • Ingrid Bergman’s portrayal of a nun was groundbreaking—dignified, strong, and deeply human.
  • The film’s depiction of Catholic life is idealized but respectful, reflecting McCarey’s own Catholic upbringing.
  • Its themes of institutional survival, vocational fidelity, and the tension between obedience and personal conviction mirror the Church’s post‑war challenges.

✝️ Catholic Themes & Moral Resonances

1. Obedience as Love, Not Subservience

Sister Benedict’s obedience is not passive; it is a chosen, intelligent offering. Her tension with Father O’Malley reveals obedience as a dialogue of charity, not a hierarchy of power.

2. Providence Through Ordinary Means

The Sisters pray for a miracle, but the miracle comes through human conversion—Bogardus’s softened heart. Grace works through the cracks of ordinary life.

3. Pastoral Care as Accompaniment

Father O’Malley embodies a pastoral style rooted in presence, humor, and gentle redirection. He never forces outcomes; he shepherds people toward them.

4. The Dignity of Formation

The school’s mission is not merely academic. It forms souls—teaching courage, humility, and hope. The boxing lesson scene, humorous as it is, becomes a parable of confidence and self‑respect.

5. Sacrifice Without Recognition

Sister Benedict’s tuberculosis diagnosis and her removal from the school echo the hidden sacrifices of religious life. She leaves quietly, trusting God with the fruit of her labor.

🍞 Hospitality Pairing

A simple, comforting meal that mirrors the film’s warmth and humility:

  • Creamy potato soup — humble, nourishing, reminiscent of parish kitchens and convent tables.
  • Fresh bread with butter — the daily bread of community life.
  • A light, crisp white wine (e.g., a Riesling or Pinot Grigio) — gentle, bright, echoing the film’s hopeful tone.
  • Dessert: A small slice of angel food cake — airy, celebratory, fitting for a film about unseen grace.

Set the table with soft light—perhaps a single candle—to evoke the quiet holiness of St. Mary’s chapel.

🧭 Reflection 

  • Where do I resist God’s invitations because they come through people whose style differs from mine?
  • What “school” in my life is God asking me to protect or rebuild—family, vocation, community, interior life?
  • How do I practice obedience as an act of love rather than compliance?
  • Where have I seen providence arrive through ordinary, even humorous, circumstances?
  • What hidden sacrifices am I being asked to make, and can I offer them without seeking recognition?


Tuesday, March 17, 2026


 

It Happens Every Spring (1949)

Production Details

Studio: 20th Century Fox
Director: Lloyd Bacon
Release: May 26, 1949
Source Material: Original story by Shirley W. Smith
Genre: Comedy / Sports / Light Fantasy
Runtime: 87 minutes
Cast: Ray Milland, Jean Peters, Paul Douglas, Ed Begley, Alan Hale Sr., Ted de Corsia

Story Summary

Professor Vernon K. Simpson (Ray Milland), a gentle, underpaid chemistry instructor, dreams of marrying Deborah Greenleaf (Jean Peters), the dean’s daughter. But with no money and no prospects, he feels trapped in a life too small for the hopes he carries.

Then an accident in his laboratory produces a strange compound—methylethylpropylbutyl—that repels wood. When it touches a baseball, bats cannot make contact. Suddenly, Simpson sees a way out: take a secret advantage, become a star pitcher, earn enough money to marry Deborah, and return to teaching.

Under the alias “King Kelly,” he becomes a sensation for the St. Louis team, baffling hitters and thrilling fans. But the deeper he goes into the deception, the more he feels the strain of living a double life. His conscience, his vocation, and his love for Deborah all begin to pull him back toward the truth.

The climax arrives when Simpson must choose between worldly success built on a lie and the quiet, honest life he was made for. His return to integrity restores his peace—and his future.

Historical and Cultural Influences

Postwar American Optimism

Released in 1949, the film reflects a nation eager for lightness after the war. Baseball—America’s pastime—became a symbol of renewal, normalcy, and communal joy. The film’s tone mirrors that cultural longing for innocence regained.

The Scientist as Folk Hero

The late 1940s saw a fascination with scientific breakthroughs, from atomic power to plastics. Simpson represents the “everyman scientist”—brilliant but humble—whose discovery disrupts the world in a comic rather than catastrophic way.

Baseball as Moral Arena

Baseball films of the era often used the sport as a stage for character formation. Here, the diamond becomes a place where temptation, ambition, and integrity collide.

Catholic Themes and Moral Resonances

Integrity Over Advantage

Simpson’s chemical discovery is a metaphor for the shortcuts we justify when we feel unseen or undervalued. The film gently exposes how even “harmless” deception erodes the soul.

Vocation as Anchor

Simpson is a teacher at heart. His detour into fame reveals the spiritual truth that vocation is not merely what we do—it is who we are. Returning to teaching is his return to himself.

Love as Moral Compass

Deborah’s steady, luminous presence embodies the virtue of constancy. She does not push, manipulate, or demand. Her quiet goodness becomes the gravitational pull that draws Simpson back to honesty.

Springtime as Spiritual Symbol

Spring is the season of renewal, repentance, and restored beginnings. Simpson’s journey mirrors the Christian rhythm of falling, awakening, and returning.

Hospitality Pairing

Drink

Spring Shandy — half crisp pilsner, half fresh lemonade, garnished with a thin lemon wheel. Light, refreshing, and honest—no tricks, no shortcuts.

Snack/Meal

Ballpark Board — grilled brats, soft pretzels, mustard trio (yellow, spicy brown, honey), and a bowl of spring pickles. A playful nod to baseball culture with a touch of refinement.

Atmosphere

Open windows, fresh air, and the faint sound of a ballgame on the radio before the film begins. Use simple, clean tableware—nothing fancy—to reinforce the theme of returning to what is true and unpretentious.

Reflection Prompt

Where in your life are you tempted to use a “secret advantage” to get ahead—and what would it look like to lay it down and return to the vocation that actually gives you peace?


Monday, March 16, 2026

  πŸ”Έ March 2026 – Lent: Priesthood & Sacrifice

  • Mar 2 – Diary of a Country Priest (1951)
  • Mar 9 – The Nun’s Story (1959)
  • Mar 16 – The Cardinal (1963)
  • Mar 23 – The Agony and the Ecstasy (1965)
  • Mar 30 – Shoes of the Fisherman (1968)

The Cardinal (1963)

Sources: imdb.com

Production Details

  • Studio: Otto Preminger Films / Columbia Pictures
  • Director: Otto Preminger
  • Release: December 12, 1963
  • Source Material: Novel by Henry Morton Robinson
  • Genre: Drama / Religious Epic
  • Runtime: 175 minutes
  • Cast: Tom Tryon, Romy Schneider, John Huston, Carol Lynley, Ossie Davis, Burgess Meredith

Story Summary

Stephen Fermoyle, a brilliant young Boston priest, rises through the ranks of the Church during the turbulent first half of the 20th century. His journey is marked by profound moral trials: his sister’s forbidden relationship and tragic medical crisis, his own near‑romantic entanglement, the Church’s confrontation with racism in the American South, and the gathering storm of fascism in Europe.

Each chapter of his life forces him to choose between personal desire and ecclesial obedience, between safety and courage, between sentiment and truth. By the time he is elevated to cardinal, his vocation has been purified through suffering, sacrifice, and the relentless demands of conscience.

Historical and Cultural Influences

The Church in a Century of Upheaval

The film spans the years when the Church confronted modernity, nationalism, and ideological extremism. Fermoyle’s rise mirrors the Church’s struggle to remain a moral voice amid global crisis.

American Catholic Identity

The Boston setting highlights the tension between immigrant Catholic communities and the Protestant cultural establishment—an echo of the film’s broader theme of belonging and legitimacy.

Fascism and Moral Witness

The European sequences dramatize the Church’s precarious position under totalitarian regimes, portraying the cost of speaking truth when silence would be safer.

Catholic Themes and Moral Resonances

Vocation as Purification

Fermoyle’s ascent is not triumph but crucible. Each promotion strips him of illusions, forcing him into deeper humility and dependence on grace.

Conscience Under Fire

The film’s most powerful moments show a priest navigating racism, antisemitism, and political violence. Conscience becomes the battleground where holiness is either forged or lost.

The Weight of Authority

Ecclesial authority is portrayed not as privilege but as burden—an echo of Christ’s teaching that leadership is service, not status.

Suffering as Formation

Family tragedy, personal temptation, and public trial become the means by which God shapes a shepherd capable of carrying others.

Hospitality Pairing

Drink

Viennese Cardinal Punch — red wine warmed with citrus, clove, and a touch of brandy. Elegant, ecclesial, and continental, matching the film’s European gravity.

Meal

Braised beef with root vegetables — hearty, slow‑cooked, and monastic in its simplicity, reflecting the film’s themes of endurance and interior strength.

Atmosphere

Low light, a single candle, and quiet classical or sacred music—evoking the interior life of a man discerning under immense pressure.

Reflection Prompt

Where is God asking you to exercise courage rather than comfort—and what part of your vocation is being purified through the pressures you face right now?


Comedian Jerry Lewis born 1926 



Sunday, March 15, 2026


Claire’s Corner

·         Colic Awareness Month-Get some Gripe Water

o   I was a Colic baby Mom and Dad found Gripe Water when my parents were in Bermuda as my Day was in the Navy Seabees overlaying the runway where I was born.

·         Today in honor of the Holy Trinity do the Divine Office giving your day to God. To honor God REST: no shopping after 6 pm Saturday till Monday. Don’t forget the internet.

·         Endometriosis Awareness Month

·         Winter Sunday Dinner Menu

·         Try Rack of Lamb Persillade

 

Claire’s Perfect Weather World Tour

πŸ‡¨πŸ‡Ύ Week 11 — Limassol & Larnaca, Cyprus




“Through Rain to Renewal”
March 15–22, 2026
Base: Limassol — Coastal Spring Light & Ancient Christian Memory


🌦️ Overview

Mid‑March in Cyprus shifts into a mixed spring rhythm: sunny early week, a rain‑cleansing middle, and brightening skies by week’s end. Temperatures run 61–68°F, with breezes off the Mediterranean and long daylight hours. This creates a natural Lenten arc: brightness → purification → renewal.

Theme: endurance, purification, and the hope that follows the rain.


πŸ“… Daily Outline with Embedded Links

πŸ“Œ Mar 15 — Arrival (Third Sunday of Lent)

Flight: Paphos → Larnaca or direct from Malta
Mass: St. Catherine Catholic Church, Limassol
Lodging: Amara Hotel (~$170–$210/night)
Meals: ~$55/day
Symbolic Act: “Opening the Heart” — pray a Lenten examen by the sea
Fun: Walk Limassol Marina at golden hour


πŸ“Œ Mar 16 — Limassol Old Town (Monday — Sunny)

Visit: Limassol Castle & Medieval Museum
Walk: Old Town → Marina promenade
Mass: St. Catherine
Symbolic Act: “Stability in the Light” — reflect on where God is steadying you
Fun: Coffee at Molos Park overlooking the water


πŸ“Œ Mar 17 — Amathus Ruins (Tuesday — Bright & Warm)

Visit: Ancient Amathus Archaeological Site
Walk: Hilltop acropolis → coastal path
Mass: Local Catholic community
Symbolic Act: “Foundations That Last” — pray among the ancient stones
Fun: Lunch at a seaside taverna


πŸ“Œ Mar 18 — Larnaca Day (Wednesday — Rain Begins)

Visit: Hala Sultan Tekke & Salt Lake




Walk: Covered arcades of Larnaca Old Town
Mass: St. Mary of Graces Catholic Church
Symbolic Act: “Receiving the Rain” — journal under a cafΓ© awning
Fun: Try warm bougatsa (custard pastry)


πŸ“Œ Mar 19 — Indoor Icons & Monasteries (Thursday — Rainy)

Visit: Stavrovouni Monastery (viewpoint if rain is heavy)
Walk: Icon Museum of Larnaca
Mass: St. Lazarus Basilica
Symbolic Act: “Purification” — light a candle for cleansing and courage
Fun: Tea and honey cakes in Old Town


πŸ“Œ Mar 20 — Nicosia (Friday — Showers)

Visit: Cyprus Museum (best indoor archaeology on the island)
Walk: Ledra Street → Venetian Walls (under umbrellas)
Mass: Holy Cross Catholic Church
Symbolic Act: “Walking Through the Storm” — pray for perseverance
Fun: Explore covered markets for local crafts


πŸ“Œ Mar 21 — Weather Clearing: Cape Greco (Saturday)

Visit: Cape Greco National Forest Park
Walk: Sea Caves → Blue Lagoon overlook
Mass: Evening Mass back in Limassol
Symbolic Act: “Emerging into Light” — reflect on the week’s arc
Fun: Sunset photos at the cliffs


πŸ“Œ Mar 22 — Farewell Day (Sunday — Brightening Skies)

Visit: Limassol Municipal Gardens




Walk: Final seaside promenade
Mass: Third Sunday of Lent at St. Catherine
Symbolic Act: Leave a written prayer of gratitude at the shoreline
Fun: Final Cypriot brunch with halloumi and honey


πŸ’° Cost Snapshot (Per Person)

Lodging (7 nights): ~$1,190–$1,470
Meals (7 days): ~$385–$420
Tickets/Activities: ~$60–$140
Local Transport: ~$90–$130
Flight (Paphos ↔ Larnaca or Malta → Larnaca): ~$90–$180

➡️ Total: $1,815–$2,340


MARCH 15 Fourth Sunday of Lent

St. Longinus-Academy Awards-Ides of March

John, Chapter 9, Verse 22

His parents said this because they were AFRAID of the Jews, for the Jews had already agreed that if anyone acknowledged him as the Messiah, he would be expelled from the synagogue.

This was serious business because the whole economy of Israel was tied to the Temple. Being expelled from the temple was basically a slow death sentence. You were shunned; no one would do business with you.

Copilot’s Take

John 9:22 captures the moment when confessing Christ meant stepping out of the only world you knew, and that experience became the shared story of the entire early Church. To be expelled from the synagogue was not a symbolic punishment; it was the loss of your economic network, your social identity, and your place in the community. The blind man’s parents embody the fear every first‑century believer felt: if they spoke the truth about Jesus, they risked losing their livelihood, their protection, and even their family ties. The Gospel uses their fear to show how the old world defended itself when confronted with the disruptive mercy of Christ.

As Christianity spread, this pattern repeated everywhere. Jewish believers were cut off from their synagogues; Gentile converts were cut off from their guilds; Roman citizens were cut off from civic life. Confessing Christ meant losing the economy of belonging that had sustained you. The early Church grew not because it was socially acceptable, but because Christ created a new economy—new families, new networks of care, new forms of honor—where the expelled found a home. The blind man becomes the prototype: healed by Christ, rejected by the system, found again by the One who gives true sight.

That same dynamic continues today, though in different forms. Christians may not face synagogue expulsion, but they often face professional penalties, social shaming, digital silencing, or relational rupture for holding to the teachings of Christ. The pressure is subtler but familiar: keep quiet, conform, don’t name Jesus publicly, don’t challenge the cultural orthodoxy. The fear that gripped the blind man’s parents still grips many believers—fear of losing reputation, opportunity, or acceptance. Yet the Gospel insists that Christ meets His people on the other side of exclusion, building a community that does not depend on the world’s approval.

The question John 9 presses into every generation is whether we will cling to the safety of the old economy or step into the freedom of the new one Christ offers.

Where do you see this ancient pattern of fear, exclusion, and rediscovered belonging playing out most clearly in the Church’s life today?

ON KEEPING THE LORD'S DAY HOLY[1]

CHAPTER II

DIES CHRISTI

The Day of the Risen Lord
and of the Gift
of the Holy Spirit

The day of Christ-Light

27. This Christocentric vision sheds light upon another symbolism which Christian reflection and pastoral practice ascribed to the Lord's Day. Wise pastoral intuition suggested to the Church the Christianization of the notion of Sunday as "the day of the sun", which was the Roman name for the day and which is retained in some modern languages. This was in order to draw the faithful away from the seduction of cults which worshipped the sun, and to direct the celebration of the day to Christ, humanity's true "sun". Writing to the pagans, Saint Justin uses the language of the time to note that Christians gather together "on the day named after the sun", but for believers the expression had already assumed a new meaning which was unmistakably rooted in the Gospel. Christ is the light of the world (cf. Jn 9:5; also 1:4-5, 9), and, in the weekly reckoning of time, the day commemorating his Resurrection is the enduring reflection of the epiphany of his glory. The theme of Sunday as the day illuminated by the triumph of the Risen Christ is also found in the Liturgy of the Hours and is given special emphasis in the Pannichida, the vigil which in the Eastern liturgies prepares for Sunday. From generation to generation as she gathers on this day, the Church makes her own the wonderment of Zechariah as he looked upon Christ, seeing in him the dawn which gives "light to those who sit in darkness and in the shadow of death" (Lk 1:78-79), and she echoes the joy of Simeon when he takes in his arms the divine Child who has come as the "light to enlighten the Gentiles" (Lk 2:32).

Fourth Sunday of Lent

·         Fourth Sunday of Lent (a.k.a. Laetare, or Mid-Lent Sunday). A note of joy is struck, for having died to sin with Christ during Lent, we will rise again with Him and be part of His mystical Body, the Church which is the new Jerusalem. Thus, the Introit: "Rejoice, Jerusalem."

·         Wednesday after Laetare Sunday: end of Mid-Lent.

 

A note of joy is struck, for having died to sin with Christ during Lent, we will rise again with Him and be part of His mystical Body, the Church which is the new Jerusalem. Thus, the Introit: "Rejoice, Jerusalem."

BY the Introit of the Mass the Church reminds us of the joys of heaven, to encourage us to persevering zeal in penance and fasting, and to patience under persecution, crosses, and sorrows.

The Introit of the Mass begins with the word Laetare (rejoice),

from which the Sunday derives its name: Rejoice, O Jerusalem, and come together, all you that love her. Rejoice with joy, you that have been in sorrow, that you may exult and be filled from the breasts of your consolation. I was glad at the things that were said unto me: we shall go into the house of the Lord.

Prayer. 

Grant, we beseech Thee, O Almighty God, that we, who are afflicted for our deeds as we deserve, may be relieved by the comfort of Thy grace.

 

EPISTLE. Gal. iv. 23-31.

Brethren: It is written that Abraham had two sons: the one by a bondwoman, and the other by a free-woman: but he who was of the bondwoman was born according to the flesh: but he of the free-woman was by promise: which things are said by an allegory: for these are the two testaments. The one from Mount Sina engendering unto bondage: which is Agar: for Sina is a mountain in Arabia, which hath affinity to that Jerusalem which now is, and is in bondage with her children. But that Jerusalem which is above is free, which is our mother. For it is written: Rejoice thou barren, that bearest not: break forth and cry, thou that travailest not; for many are the children of the desolate, more than of her that hath a husband. Now, we, brethren, as Isaac was, are the children of promise. But as then he, that was born according to the flesh, persecuted him that was after the spirit: so also, it is now. But what saith the Scripture?

Cast out the bondwoman and her son; for the son of the bondwoman shall not be heir with the son of the freewoman. So then, brethren, we are not the children of the bondwoman, but of the free: by the freedom wherewith Christ hath made us free.

Explanation.

The Jews, typified by Agar, served Godlike servants, from fear of punishment and in the hope of rewards. Christians, typified by Sara, lift up their hands to Him as their Father, and if they fulfil His will faithfully will become partakers of His glory in heaven.

Prayer. 

O Jesus, grant that by fasting, prayer, and patience under persecution I may partake in Thy sufferings and be found worthy of Thy divine promises and Thy eternal consolations in the heavenly Jerusalem. Amen.

GOSPEL. John vi. 1-15.

At that time: Jesus went over the sea of Galilee, which is that of Tiberias: and a great multitude followed Him, because they saw the miracles which He did on them that were diseased. Jesus therefore went up into a mountain: and there He sat with His disciples. Now the Pasch, the festival-day of the Jews, was near at hand. When Jesus therefore had lifted up His eyes, and seen that a very great multitude cometh to Him, He said to Philip: Whence shall we buy bread, that these may eat?

And this He said to try him, for He Himself knew what He would do. Philip answered Him: Two hundred pennyworth of bread is not sufficient for them, that everyone may take a little. One of His disciples, Andrew, the brother of Simon Peter, saith to Him: There is a boy here that hath five barley loaves, and two fishes: but what are these among so many?

Then Jesus said: Make the men sit down. Now there was much grass in the place. The men therefore sat down, in number about five thousand. And Jesus took the loaves; and when He had given thanks, He distributed to them that were sat down: in like manner also of the fishes as much as they would. And when they were filled, He said to His disciples: Gather up the fragments that remain, lest they be lost. They gathered up therefore and filled twelve baskets with the fragments of the five barley loaves, which remained over and above to them that had eaten. Now those men, when they had seen what a miracle Jesus had done, said: This is of a truth the prophet that is to come into the world. Jesus, therefore, when He knew that they would come to take Him by force and make Him king, fled again into the mountain Himself alone.

Why did Christ thus try St. Philip?

1. To try his faith and confidence. 

2. To teach us to make use of natural and ordinary means before we have recourse to the supernatural. 

3. So that the miracle would be the more striking to the people, when they were satisfied that the provisions, they had been quite small and insufficient.

4. That we might have confidence in God, Who is a helper in time of tribulation (Ps. ix. 10).

What ceremonies did Our Savior use at this miracle, and why?

He first looked up to heaven, to remind us that every good gift comes from above, and that it is God only Who opens His hand and fills all with benediction.

Second. He thanked His heavenly Father, to show us that we also should be careful to thank God for all His benefits. The table, says St. Chrysostom, which begins and ends with prayer shall never know want.

Thirdly He blessed the bread that we might learn that it is the Blessing of God which gives success.

Why did Jesus flee after this miracle?

1. To teach us to seek not the admiration and applause of men, but only the glory of God and the good of our neighbor.

2. To love solitude, that far from the noise of the world, we may with more freedom converse with God.

 Consolation in Poverty.

To those poor who follow Christ this gospel is full of consolation, as it shows that from the very beginning of the world God has cared for His children. For the comfort and preservation of His chosen people He sent Joseph before them into Egypt (Gen. xlv. 5; Ps. civ. 4). He sustained the children of [Israel during forty years in the wilderness with bread from heaven He fed the prophet Elias, sending him bread and flesh by a raven (in. Kings xvii. 6). He remembered Daniel lying in the lion’s den (Dan. xiv. 37). In the New Testament also God has shown His care for His own by nourishing and feeding them in their greatest need, at times through the instrumentality of animals and at other times by that of angels and of men as we read in the lives of the saints.

Aspiration.

In Thy power and goodness, O my God, I put my trust. I firmly believe if I fear Thee, and do what is right, I shall, though poor here, after this life have abundance of good things from Thee.

Aids in Battle[2] Psalms and Supplications in Combat with Evil

A number of the Psalms and other scriptural canticles praise God for giving His people victory in battle and ask for God’s assistance.

·         Blessed be the LORD, my rock, who trains my hands for war, and my fingers for battle; my mercy and my fortress, my stronghold and my deliverer, my shield, and He in whom I take refuge. Ps 144: 1– 2

·         And Mary said, “My soul magnifies the Lord, and my spirit rejoices in God my Savior because He who is mighty has done great things for me, and holy is His name. He has shown might with His arm, He has scattered the proud in the conceit of their heart, He has put down the mighty from their thrones, and exalted the lowly.” Lk 1: 46– 47, 49, 51– 52

St. Longinus[3] Roman Catholic Church (pre-1969)

St. Longinus was the Roman centurion who pierced the side of Christ with a lance. He is said to have converted to Christianity after experiencing the darkness after Christ's death.

St. Luke tells us that the centurion "gave praise to God", and exclaimed, "Truly this was an upright man." (Luke 23:47)

What was believed to be the Holy Lance of Longinus, was given to Innocent VIII in 1492.

Things to Do:

·         Read more about the statue of St. Longinus at St. Peter's Basilica.

·         Read the Life of Saint Longinus from the Golden Legend.

 

Bible in a year Day 256 Hard Seasons

Fr. Mike encourages us to never stop talking to God, even in the hardest seasons of our lives. Much like yesterday's readings, we're seeing a lot of pain and suffering the lives of our brothers and sisters, but we still have so much to hope for. Today’s readings are Jeremiah 51, Lamentations 4-5, and Proverbs 18:9-12. 

Academy Awards[4]

Sadly, the annual live Oscar is a husk of its former glamorous self. The tired, soap-opera essence of the Academy’ s annual celebration of mediocrity lies in the predictable moral preening of its amoral participants. What used to be a shimmering celebration of widely accepted great films and great stars has degenerated into a cesspool of dirt, sleaze and depravity, made worse by its obvious contempt for the average American. The only mystery and excitement that remains is guessing which Hollywood one-percenters will seize the microphone to dish out some PC political rant, complete with a righteous torrent four-letter words. Worse, this alleged celebration of film entertainment has become all about politics all the time. Each year it reminds those of us still aware of world history that the Long March of Marxism continues to infect every American institution it invades. Hollywood fell to the leftists’ long march a long time ago. More recently, NFL football and the just-concluded Winter Olympics joined the lefty crowd by marching in lockstep to the same seductive tune. Every time this happens in the entertainment industry (which now includes sports), it’s box office death. (Just look at the annually declining numbers.) But the one-percenters who run these entertainment entities apparently don’t care, even as the flow of red ink increases.

Cultural leftism is inevitably cultural suicide.

Most viewers who actually watched the phony Hollywood posturing and insincere moralistic bloviating switched off the TV before the major awards were announced and headed for bed. After all the morning after the gala was a workday for actual Americans, so why watch the tired, predictable crap put on by filthy rich movie stars who hate at least half their fans? After Hollywood insults most of the night’s dwindling viewership – again – even more of them will solemnly vow never to watch the Academy Awards show ever again.

Best Catholic Films[5]

 

1. Carl Theodore von Dreyer, The Passion of Joan of Arc, 1928.
2. Cecil B. DeMille, King of Kings, 1927.
3. Frank Capra, Lady for a Day, 1933.
4. John Ford, The Informer, 1935.
5. Frank Borzage, Strange Cargo, 1940
6. Henry King, The Song of Bernadette, 1943.
7. John M. Stahl, The Keys of the Kingdom, 1944.
8. Leo McCarey, Going My Way, 1944.
9. Leo McCarey, The Bells of St. Mary's, 1945.
10. Frank Capra, It's a Wonderful Life, 1946.
11. Robert Bresson, Au Hasard Balthasar, 1966.
12. Michael Powell, Black Narcissus, 1947.
13. John Ford, The Fugitive, 1947.
14. John Ford, Three Godfathers, 1948.
15. Leo McCarey, Make Way for Tomorrow, 1947.
16. Vittorio De Sica, The Bicycle Thieves, 1948.
17. Roberto Rossellini, Stromboli, 1950.
18. Roberto Rossellini, The Flowers of St. Francis, 1950.
19. Gordon Douglas, Come Fill the Cup, 1951.
20. Robert Bresson, The Dairy of a Country Priest, 1951.
21. Akira Kurosawa, Ikiru, 1952.
22. Vittorio De Sica, Umberto D, 1952.
23. Alfred Hitchcock, I Confess, 1953.
24. Elia Kazan, On the Waterfront, 1954.
25. Raffaello Matarazzo, The White Angel, 1955.
26. Carl Theodore von Dreyer, Ordet, 1955.
27. Alfred Hitchcock, The Wrong Man, 1956.
28. Luis Bunuel, Nazarin, 1959.
29. Fred Zinnemann, The Nun's Story, 1959.
30. William Wyler, Ben Hur, 1959.
31. Robert Bresson, Pickpocket, 1959.
32. Mervyn LeRoy, The Devil of 4 O'Clock, 1961.
33. Richard Fleischer, Barabbas, 1961.
34. Nicholas Ray, King of Kings, 1961.
35. Otto Preminger, The Cardinal, 1963.
36. Peter Glenville, Becket, 1964.
37. Pier Paolo Pasolini, The Gospel According to St. Matthew, 1964.
38. Carol Reed, The Agony and the Ecstasy, 1965.
39. Luis Bunuel, Simon of the Desert, 1965.
40. Fred Zinnemann, A Man for All Seasons, 1966.
41. Robert Bresson, Mouchette, 1967.
42. Michael Anderson, The Shoes of the Fisherman, 1968.
43. Franco Zefferelli, Brother Sun, Sister Moon, 1972.
44. William Friedkin, The Exorcist, 1973.
45. Anthony Harvey, The Abdication, 1974.
46. Joseph Hardy, The Lady's Not for Burning, 1974.
47. Franco Zefferelli, Jesus of Nazareth, 1977.
48. Robert Bresson, The Devil Probably, 1977.
49. Ermanno Olmi, Tree of the Wooden Clogs, 1978.
50. John Huston, Wise Blood, 1979.
51. Francesco Rosi, Christ Stopped at Eboli, 1979.
52. Hugh Hudson, Chariots of Fire, 1981.
53. Charles Sturridge & Michael Lindsay-Hogg, Brideshead Revisited, 1981.
54. Ulu Grosbard, True Confessions, 1981.
55. Martin Scorcese, The Age of Innocence, 1982.
56. Paolo & Vittorio Taviani, Night of the Shooting Stars, 1982.
57. Jerry London, The Scarlet and the Black, 1983.
58. Robert Bresson, L'argent, 1983.
59. Norman Stone, Shadowlands, 1885.
60. Alain Cavalier, Therese, 1986.
61. Roland Jaffe, The Mission, 1986.
62. Wim Wenders, Wings of Desire, 1987.
63. Gabriel Axel, Babette's Feast, 1987.
64. Rodney Bennett, Monsignor Quixote, 1987.
65. Maurice Pialat, Under the Star of Satan, 1987.
66. John Huston, The Dead, 1987.
67. Krzysztof Kieslowski, The Decalogue, 1988.
68. Krzysztof Kieslowski, A Short Film About Love, 1988.
69. Ermanno Olmi, Legend of the Holy Drinker, 1988.
70. John Duigan, Romero, 1989.
71. Denys Arcand, Jesus of Montreal, 1989.
72. Bruce Beresford, Black Robe, 1991.
73. Stijn Coninx, Daens, 1992.
74. Nancy Savoca, Household Saints, 1993.
75. Mel Gibson, Braveheart, 1995.
76. Liv Ullmann, Kristin Lavransdatter, 1995.
77. Lee David Slotoff, Spitfire Grill, 1996.
78. Marta Meszaros, The Seventh Room, 1996.
79. M. Knight Shyamalan, Wide Awake, 1998.
80. Joe Johnston, October Sky, 1999.
81. David Lynch, The Straight Story, 1999.
82. Agnieszka Holland, The Third Miracle, 1999.
83. Patrice Leconte, The Widow of Saint-Pierre, 2000.
84. Jim Sheridan, In America, 2002.
85. Alexander Payne, About Schmidt, 2002.
86. Bruce Beresford, Evelyn, 2002.
87. Denys Arcand, Barbarian Invasions, 2003.
88. Mel Gibson, The Passion of the Christ, 2004.
89. Tommy Lee Jones, The Three Burials of Melquiades Estrada, 2005.
90. Christian Carion, Joyeux Noel, 2005.
91. Pavel Lungin, The Island, 2006
92. Alejandro Monteverde, Bella, 2006.
93. Jean-Pierre Dardenne, L'enfant, 2006.
94. Martin Provost, Seraphine, 2008.
95. Mark Pellington, Henry Poole is Here, 2008.
96. John Patrick Shanley, Doubt, 2008.
97. Klaus Haro, Letters to Father Jaakob, 2009.
98. Xavier Beauvois, Of Gods and Men, 2010.
99. Philip Groning, Into the Great Silence, 2007.
100. Terrence Malick, The Tree of Life, 2011.


Ides of March

In modern times, the Ides of March is best known as the date on which Julius Caesar was assassinated in 44 BC. Caesar was stabbed to death at a meeting of the Senate. As many as 60 conspirators, led by Brutus and Cassius, were involved.[6]

Caesar could garner so much power, but in the end, he was assassinated. No matter how powerful a person or corporation may be, there will be an end to their reign and their influence. By way of contrast, the Lord is the everlasting God. Jesus is the King of Kings and Lord of Lords, who has the power of an endless life. Remembering the frailty and fallenness of all men is a crucial part of gaining wisdom. Solomon captured this so well when he wrote “The fear of the Lord is the beginning of wisdom” (Prov. 9:10) but “the fear of man is a snare” (29:25). Remembering the fact that no matter how powerful a position a man or woman may hold, God “holds their breath in His hands and owns all their ways” (Dan. 5:23) and that “death is the destiny of everyone; the living should take this to heart” (Eccl. 7:2).[7]

Daily Devotions

·         Unite in the work of the Porters of St. Joseph by joining them in fasting: Today's Fast: The Families of St. Joseph Porters

·         Offering to the sacred heart of Jesus

·         Make reparations to the Holy Face

·         Drops of Christ’s Blood

·         Universal Man Plan

 

Lady for a Night (1942)

Production Details

Studio: Republic Pictures bing.com
Director: Leigh Jason bing.com
Release: January 5, 1942 bing.com
Source Material: Original screenplay by Garrett Fort (with contributions by Isabel Dawn & Boyce DeGaw) IMDb
Genre: Drama / Romance
Runtime: 87 minutes bing.com
Cast: Joan Blondell, John Wayne, Ray Middleton, Philip Merivale, Blanche Yurka, Edith Barrett, Leonid Kinskey bing.com

Story Summary

Jenny Blake (Joan Blondell) co‑owns the riverboat casino Memphis Belle, serving wealthy patrons who enjoy her establishment but look down on her social standing. Jack Morgan (John Wayne), her loyal partner, loves her quietly, but Jenny longs for acceptance in high society.

When Alan Alderson, a once‑wealthy plantation heir, loses his estate The Shadows gambling on Jenny’s boat, she offers to forgive his debts if he marries her. Alan agrees, and Jenny enters the aristocratic world she has always desired—only to find herself despised by Alan’s family, especially the manipulative and venomous Julia Alderson.

Jenny’s attempts to host society events are sabotaged, and she narrowly survives a staged carriage accident. Julia then prepares a poisoned drink intended for Jenny, but Alan unknowingly consumes it and dies. Jenny is accused of murder and put on trial, forcing the truth about the Alderson family’s corruption into the open. Wikipedia

Historical and Cultural Influences

Southern Aristocracy in Decline

The film reflects early‑20th‑century American fascination with the fading grandeur of the Old South. The Alderson family embodies a decayed nobility—proud, brittle, and morally compromised—mirroring broader cultural anxieties about class, legitimacy, and inherited privilege.

Riverboat Americana

The Memphis Belle riverboat setting captures a uniquely American world of gambling, music, and social mixing. This environment symbolizes mobility and reinvention—contrasted sharply with the rigid, dying plantation culture Jenny tries to enter.

A Wartime Footnote

The famous WWII B‑17 bomber Memphis Belle was named after the steamboat in this film, giving the movie an unexpected place in wartime cultural memory. bing.com

Catholic Themes and Moral Resonances

Identity vs. Vocation

Jenny’s longing for social elevation mirrors the spiritual temptation to seek worth through status rather than through the truth of one’s calling. Her journey exposes the emptiness of external validation.

The Poison of Envy

Julia’s literal poisoning attempt reflects the spiritual reality of envy—how resentment corrodes families, institutions, and souls. The film becomes a parable about the destructive power of pride.

Loyal Love as Redemption

Jack Morgan’s steadfastness—quiet, wounded, and faithful—embodies a masculine virtue rooted not in dominance but in sacrificial loyalty. His presence becomes the moral counterweight to Jenny’s ambition.

Justice and Truth Revealed Through Trial

Jenny’s courtroom ordeal echoes the biblical pattern of purification through suffering. Her innocence is revealed not by her own power but through the collapse of the lies surrounding her.

Hospitality Pairing

Drink:
Mississippi Julep — a mint julep with darker bourbon and a touch of molasses, blending riverboat grit with plantation elegance.

Snack/Meal:
Blackened catfish, collard greens, and cornbread—Southern working‑class fare elevated with refinement, mirroring Jenny’s ascent.

Atmosphere:
Amber lighting, soft jazz or riverboat ragtime, and mismatched china to evoke the tension between riverboat life and aristocratic aspiration.

Reflection Prompt

Where are you tempted to trade your authentic vocation for a place in someone else’s world—and what would it look like to return to the “riverboat,” where your gifts actually bear fruit?

Saturday, March 14, 2026


 Vinny’s Corner

Also, from arrogant ones restrain your servant; let them never control me. Then shall I be blameless, innocent of grave sin.

 (Psalm 19:4)

·         World Glaucoma Week Glaucoma is a group of fairly common medical conditions affecting the optic nerve. When this nerve that runs from the eye to the brain gets damaged, this can result in vision loss or even complete blindness. In fact, glaucoma is the leading cause of preventable, irreversible blindness on the planet. World Glaucoma Week is here to create conversations and increase awareness so that more people can know about, understand, and work toward prevention of this disease of the eyes.

·         Spring Break in Panama City Beach March 15-31st. Slap on your sunscreen and grab your shades for a laid-back spring break on Panama City Beach. This sunny haven on the coast of the Gulf of Mexico beckons with its tagline, “World’s Most Beautiful Beaches.” You’ll see why once you sink your toes into its unique sugar-white sand.

·         Dita e VerΓ«s, or “Summer Day,” is a joyful celebration that marks the end of winter and the welcoming of warmer days in Albania.

·         Bucket List trip: Akwasidae Festival

·         Mr. Hankey says check your Colon

·         Try “Afternoon Tea at the Ritz

·         Irish American History Month

o   Become a Colleen

§  St. Patrick’s Day Parade

·         Tucson

·         Spirit Hour: Salvator Beer

·         Spring break Arizona.

 


🌊 The Conqueror’s Pilgrimage — March 14–21, 2026

Galilee — The School of Mission

Theme: Calling, Courage, Obedience, and the Formation of a Disciple’s Voice
Identity Shift: From purified man → commissioned man

Galilee is where Christ calls ordinary men into extraordinary purpose.
It is where fishermen become apostles, where obscurity becomes mission, where the purified heart becomes a courageous heart.

This week is about hearing the callembracing the mission, and learning to walk with Christ in the rhythm of daily obedience.


🏨 Where We Stay

Pilgerhaus Tabgha — The House of the Pilgrim
Simple, quiet, right on the Sea of Galilee.

Walking distance to the Church of the Multiplication

Near Capernaum, Mount of Beatitudes, and the Primacy of Peter

Peaceful gardens for prayer

Ideal for a week of discernment and mission formation

Website: https://www.pilgerhaus.com/


✝️ Where We Attend Mass

Church of the Multiplication (Tabgha)
or
St. Peter’s Church, Capernaum

Search: Tabgha Mass times
Search: Capernaum Catholic Mass times

Mass anchors the mornings; the afternoons are for walking, listening, and responding to the call.


πŸ—“️ Daily Itinerary & Symbolic Acts


March 14 — Return to Galilee



🌟 Symbolic Act: “From Purification to Purpose”
Travel from Bethlehem to the Sea of Galilee.
Walk to the shoreline and let the wind hit your face.
Pray:

“Lord, I have been purified. Now teach me to obey.”

Mass: Tabgha
Stay: Pilgerhaus Tabgha


March 15 — Capernaum: The Town of Jesus

🏠 Symbolic Act: “Make My Home Your Home”
Visit Capernaum:

House of Peter

Ancient synagogue

Shoreline where Christ taught

Read Mark 1.
Reflect on how Christ begins His mission in a home, not a throne.

Stay: Pilgerhaus Tabgha


March 16 — Mount of Beatitudes

⛰️ Symbolic Act: “Receive the King’s Constitution”
Walk the hillside where Christ preached the Beatitudes.
Sit in silence and let each Beatitude confront you.
Journal:

Which Beatitude strengthens me?

Which one wounds me?

Which one is Christ asking me to live now?

Stay: Pilgerhaus Tabgha


March 17 — Primacy of Peter



🐟 Symbolic Act: “Feed My Sheep”
Visit the Church of the Primacy of Peter.
Touch the rock where Christ restored Peter after failure.
Pray John 21 slowly.
Offer Christ your failures and hear Him say:

“Follow Me.”

Stay: Pilgerhaus Tabgha


March 18 — Sea of Galilee Boat Day

🌊 Symbolic Act: “Step Out of the Boat”
Take a simple boat ride on the Sea of Galilee.
Read Matthew 14:22–33.
Ask:

Where is Christ calling me to step out?

What fear keeps me in the boat?

Let the water teach you trust.

Stay: Pilgerhaus Tabgha


March 19 — Nazareth: The Hidden Years

🏑 Symbolic Act: “Obedience in the Ordinary”



Travel to Nazareth.
Visit:

Basilica of the Annunciation

St. Joseph’s Church

Mary’s Well

Reflect on the decades Christ spent in silence, work, and obedience.
Pray for the grace to embrace the hidden, unglamorous parts of your mission.

Stay: Pilgerhaus Tabgha


March 20 — Magdala: The School of the Heart

πŸ’— Symbolic Act: “Let Christ Restore What Is Broken”
Visit Magdala, home of Mary Magdalene.
Walk the archaeological site and the Duc in Altum chapel.
Pray for healing of the heart, clarity of identity, and courage to follow Christ without reserve.

Stay: Pilgerhaus Tabgha


March 21 — Sending Forth

πŸ”₯ Symbolic Act: “Galilee to the Nations”
Final morning prayer on the shoreline:

“Lord, send me where You will. Make me faithful.”

Mass at Tabgha.
Depart strengthened, mission‑ready, and anchored in the call of Christ.


πŸ’Ά Cost Snapshot (Per Person)

Lodging (7 nights): $420–$650
Meals: $140–$210
Transport: $150–$220
Entrance Fees: $20–$50
Total: $730–$1,130

 

March 14 Saturday Third Week of Lent

Pi Day

 


Joshua, Chapter 4, Verse 14

That day the LORD exalted Joshua in the sight of all Israel, and so during his whole life they FEARED him as they had feared Moses.

 

Sometimes we are tempted to follow any leader who is popular. We forget God’s warning about following the proud and evil hearted, for lo, the day is coming, blazing like an oven, when all the proud and all evildoers will be stubble, and the day that is coming will set them on fire, leaving them neither root nor branch, says the LORD of hosts. (Mal 3: 19)

 

We may think that following the leadership of our bishops is a waste of time. You have said, “It is useless to serve God; what do we gain by observing God’s requirements, and by going about as mourners-before the LORD of hosts? But we call the arrogant blessed; for evildoers not only prosper but even test God and escape.” (Mal 3:14-15)

 

God knows the heart of a man and if his heart be true God raises that man up as He did Joshua and Moses. God is not a God of the past and continues to this day in the action of raising a man up and He does so in our Priests and Bishops. Just like an architect that uses rocks and sticks to become temples or bridges God uses men to build his Kingdom. Strive therefore to be God’s man or women. Emulate Joshua in proclaiming, if it is displeasing to you to serve the LORD, choose today whom you will serve, the gods your ancestors served beyond the River or the gods of the Amorites in whose country you are dwelling. As for me and my household, we will serve the LORD. (Joshua 24:15).

 

We should have a holy fear of our Priest and Bishops. We should follow their guidance as we would a beloved father or brother. Like Joshua that led the armies of God today the Bishop of Phoenix asks us men to enter into the breach.[1]

 

Copilot’s Take

Confronting evil in this context means recovering the biblical instinct that Israel had toward Joshua: a clear-eyed recognition that God raises certain men to stand between chaos and the people, and that resisting such men is not merely a personality conflict but a spiritual rupture. Joshua is feared because he is aligned with God’s holiness, not because he is domineering. That distinction is the heart of holy fear. When Scripture warns that the proud and the evildoers will be burned like stubble, it is reminding us that evil leadership collapses under its own weight, while God‑raised leadership endures because it is rooted in obedience. Malachi’s lament—“It is useless to serve God”—is the cry of a people who have lost sight of this difference and have begun to measure leadership by worldly success rather than fidelity.

In every age, the temptation is the same: to follow the charismatic instead of the consecrated, the popular instead of the obedient, the loud instead of the holy. Yet God continues His ancient pattern of raising men—priests, bishops, spiritual fathers—who carry the weight of His people and stand in the breach when others falter. Their authority is not a relic of the past but a present grace. To hold a holy fear toward them is to acknowledge that God still works through human instruments, imperfect though they are, and that the alternative to ordered leadership is spiritual fragmentation. This fear is not servile; it is the reverence a soldier has for a commander who has proven himself in battle, the respect a son has for a father who bears responsibility for the household.

Confronting evil, then, begins with confronting the cynicism in our own hearts—the instinct to dismiss, to withdraw, to assume corruption rather than discern anointing. It means choosing, like Joshua, to declare our allegiance openly: “As for me and my household, we will serve the Lord.” It means stepping forward when the Bishop calls men into the breach, not because the Bishop is flawless, but because God still appoints shepherds to guard His flock. Evil advances when men hesitate; it retreats when men stand in ordered ranks under God‑given authority. The breach is not merely cultural but spiritual, and the men who step into it do so with the same courage that marked Joshua: fidelity over popularity, obedience over self‑will, and a holy fear that recognizes God’s hand at work in the leaders He raises.

Saturday Third Week of Lent

Prayer. GRANT, we beseech Thee, O Almighty God, that they who, to mortify their flesh, abstain from food, may, following justice, abstain from sin.

EPISTLE. Daniel xiii. 1-62.

In those days there was a man, that dwelt in Babylon, and his name was Joakim; and he took a wife whose name was Susanna, the daughter of Helcias, a very beautiful woman, and one that feared God. For her parents being just, had instructed their daughter according to the law of Moses. Now Joakim was very rich and had an orchard near his house: and the Jews resorted to him, because he was the most honorable of them all. And there were two of the ancients of the people appointed judges that year, of whom the Lord said: Iniquity came out from Babylon from the ancient judges, that seemed to govern the people. These men frequented the house of Joakim, and all that had any matters of judgment came to them. And when the people departed away at noon, Susanna went in, and walked in her husband’s orchard. And the old men saw her going in every day, and walking: and they were inflamed with lust towards her: and they perverted their own mind and turned away their eyes that they might not look unto heaven, nor re member just judgments. So, they were both wounded with the love of her, yet they did not make known their grief one to the other: for they were ashamed to declare to one another their lust, being desirous to have to do with her: and they watched carefully every day to see her: and one said to another: Let us now go home, for it is dinnertime. So, going out, they departed one from another. And turning back again, they came both to the same place: and asking one another the cause, they acknowledged their lust: and then they agreed upon a time, when they might find her alone. And it fell out, as they watched a fit day, she went in on a time, as yesterday and the day before, with two maids only, and was desirous to wash herself in the orchard: for it was hot weather. And there was nobody there, but the two old men that had hid themselves and were considering her. So, she said to the maids: Bring me oil, and washing balls, and shut the doors of the orchard, that I may wash me. And they did as she bade them: and they shut the doors of the orchard and went out by a back door to fetch what she had commanded them, and they knew not that the elders were hid within. Now when the maids were gone forth, the two elders arose, and ran to her, and said: Behold the doors of the orchard are shut, and nobody seeth us, and we are in love with thee: wherefore consent to us and lie with us. But if thou wilt not, we will bear witness against thee, that a young man was with thee, and therefore thou didst send away thy maids from thee. Susanna sighed and said I am straitened on every side: for if I do this thing, it is death to me: and if I do it not, I shall not escape your hands. But it is better for me to fall into your hands without doing it, than to sin in the sight of the Lord. With that Susanna cried out with a loud voice: and the elders also cried out against her. And one of them ran to the door of the orchard and opened it. So, when the servants of the house heard the cry in the orchard, they rushed in by the back door to see what was the matter. But after the old men had spoken, the servants were greatly ashamed; for never had there been any such word said of Susanna. And on the next day, when the people were come to Joakim her husband, the two elders also came full of wicked device against (Susanna, to put her to death. And they said before the people: Send to Susanna, daughter of Helcias the wife of Joakim. And presently they sent, and she came with her parents, and children, and all her kindred. Now Susanna was exceedingly delicate, and beautiful to behold. But those wicked men commanded that her face should be uncovered (for she was covered) that so at least they might be satisfied with her beauty. Therefore, her friends and all her acquaintance wept. But the two elders rising up in the midst of the people, laid their hands upon her head. And she weeping looked up to heaven, for her heart had confidence in the Lord. And the elders said: As we walked in the orchard alone, this woman came in with two maids, and shut the doors of the orchard, and sent away the maids from her. Then a young man that was there hid came to her and lay with her. But we that were in a corner of the orchard, seeing this wickedness, ran up to them, and we saw them lie together. And as for him we could not take him because he was stronger than we and opening the doors he leaped out: but having taken this woman, we asked who the young man was, but she would not tell us: of this thing we are witnesses. The multitude believed them as being the elders and the judges of the people, and they condemned her to death. Then Susanna cried out with a loud voice, and said: O eternal God, Who knowest hidden things, Who knowest all things before they come to pass, Thou knowest that they have borne false witness against me: and behold I must die, whereas I have done none of these things which these men have maliciously forged against me. And the Lord heard her voice. And when she was led to be put to death, the Lord raised up the holy spirit of a young boy, whose name was Daniel. And he cried out with a loud voice: I am clear from the blood of this woman. Then all the people turning themselves towards him, said: What meaneth this word that thou hast spoken?

But he standing in the midst of them, said: Are ye so foolish, ye children of Israel, that without examination or knowledge of the truth, you have condemned a daughter of Israel?

Return to judgment, for they have borne false witness against her. So, all the people turned again in haste, and the old men said to him: Come, and sit thou down among us, and show it us: seeing God hath given thee the honor of old age. And Daniel said to them: Separate these two far from one another, and I will examine them. So, when they were put asunder one from the other, he called one of them and said to him: O thou that are grown old in evil days, now are thy sins come out, which thou hast committed before: in judging unjust judgments, oppressing the innocent, and letting the guilty to go free, whereas the Lord saith: The innocent and the just thou shalt not kill. Now then, if thou sawest her, tell me under what tree thou sawest them conversing together. He said: Under a mastic tree. And Daniel said: Well, hast thou lied against thy own head: for behold the angel of God having received the sentence of Him, shall cut thee in two. And having put him aside, he commanded that the other should come, and he said to him: O thou seed of Chanaan, and not of Juda, beauty hath deceived thee, and lust hath perverted thy heart: thus, did you do to the daughters of Israel, and they for fear conversed with you: but a daughter of Juda would not abide your wickedness. Now therefore tell me, under what tree didst thou take them conversing together. And he answered: Under a holm tree. And Daniel said to him: Well, hast thou also lied against thy own head: for the angel of the Lord waiteth with a sword to cut thee in two, and to destroy you. With that all the assembly cried out with a loud voice, and they blessed God, who saveth them that trust in Him. And they rose up against the two elders (for Daniel had convicted them of false witness by their own mouth) and they did to them as they had maliciously dealt against their neighbor, to fulfil the law of Moses: and they put them to death, and innocent blood was saved in that day.

GOSPEL. John viii. 1-11.

At that time: Jesus went unto Mount Olivet. And early in the morning He came again into the temple, and all the people came to Him, and sitting down He taught them. And the scribes and Pharisees bring unto Him a woman taken in adultery; and they set her in the midst. And said to Him: Master, this woman was even now taken in adultery. Now Moses in the law commanded us to stone such a one. But what sayest Thou?

And this they said tempting Him that they might accuse Him. But Jesus bowing Himself down, wrote with His finger on the ground: when therefore they continued asking Him, He lifted up Himself, and said to them: He that is without sin among you, let him first cast a stone at her. And again, stooping down, He wrote on the ground. But they hearing this went out one by one, beginning at the eldest. And Jesus alone remained, and the woman standing in the midst. Then Jesus lifting up Himself, said to her: Woman, where are they that accused thee? Hath no man condemned thee?

Who said: No man, Lord. And Jesus said: Neither will I condemn thee. Go, and now sin no more.

Lenten Calendar

Read: The Seven Penitential Psalms, Day Five:

(During times when we wish to express repentance and especially during Lent, it is customary to pray the seven penitential psalms.  The penitential designation of these psalms’ dates from the seventh century. Prayerfully reciting these psalms will help us to recognize our sinfulness, express our sorrow and ask for God’s forgiveness.)

Today we will focus on Psalm 102.

Reflect: Read a reflection of Psalm 102—Prayer in Time of Distress.

Pray: LORD, hear my prayer; let my cry come to you.  Do not hide your face from me       in the day of my distress. (Ps 102:2-3, NABRE)

Act: In this psalm, the psalmist calls to God in great distress. He acknowledges his weakness in body and spirit before the Lord. Yet he fixes his sight on the Lord, extolling the Lords name and his mercy.

Aids in Battle[2] When tempted and tested.

The ordinary activity of the Enemy is to seek the ruin of souls through various kinds of temptation. These passages offer counsel about how to turn away from evil so that you can overcome temptation and pass the tests that God allows for your strengthening.

·         Because He Himself suffered and has been tempted, He is able to help those who are tempted. We may obtain mercy and find grace to help in time of need. Heb 2: 17– 18; 4: 14– 16

·         My son, if you come forward to serve the LORD, remain in justice and in fear, and prepare yourself for temptation. Sir 2: 1

·         [Jesus prayed:] “I do not pray that You should take them out of the world, but that you should keep them from the Evil One.” Jn 17: 15 RSVCE

·         Blessed is the man who endures temptation, for when he has been tried, he will receive the crown of life which God has promised to those who love Him. Let no man say when he is tempted, that he is tempted by God; for God is no tempter to evil, and He Himself tempts no one. But everyone is tempted by being drawn away and enticed by his own passion. Then when passion has conceived, it brings forth sin; but when sin has matured, it begets death. Therefore, my beloved brethren, do not err. Jas 1: 12– 16

·         The fear of men lays a snare, but he who trusts in the LORD is safe. Pr 29: 25

·         The Lord knows how to deliver the God-fearing from temptation. 2 Pt 2: 9

·         Have no anxiety, but in every prayer and supplication with thanksgiving let your petitions be made known to God. And may the peace of God, which surpasses all understanding, guard your hearts and your minds in Christ Jesus. For the rest, brethren, whatever things are true, whatever honorable, whatever just, whatever holy, whatever lovable, whatever of good repute, if there be any virtue, if anything worthy of praise, think upon these things. Phil 4: 6– 9

 

Bible in a year Day 255 God is Good 

Fr. Mike guides us through another chapter of Jeremiah and connects it to the sorrow and pain we hear in Lamentations. He reminds us that, even with such evil and desperation filing the world, God is still good, and we still have reason to hope in him. Today’s readings are Jeremiah 51, Lamentations 4-5, and Proverbs 18:9-12. 

Pi Day[3]

Pi Day celebrates the mathematical constant Ο€ (pi) or 3.141592653....  Pi is the ratio between the circumference (the distance around the circle) and diameter (the distance through the center of the circle). Pi is a constant; therefore it will be the same for circles of all sizes. Pi is a special number due to its infinite and patternless nature, meaning that the digits after the decimal point never repeat themselves in a specific order. Pi Day celebrations originated in 1988 at the San Francisco Exploratorium when Larry Shaw, a physicist at the Exploratorium, organized the first Pi Day.  It was held on March 14th (3/14), given that the first digits of Pi are 3.14.  Celebrations at the Exploratorium included taking young museum visitors on a parade to the Pi Shrine, which is a round brass plaque fixed on the floor of the museum and serving fruit pies to visitors. Since then, Pi Day celebrations have spread both nationally and globally.  On March 12, 2009, the U.S. House of Representatives recognized March 14, 2009 as National Pi Day.

 

Pi Day Facts & Quotes

 

·         In 2015 at 9:26:53 (AM and PM), all of the first ten digits of Pi (3.141592653) were present in the date and time.

·         Pi is an irrational number, meaning it cannot be expressed properly as a fraction.

·         Albert Einstein, widely referred to as the father of modern physics, was born on March 14, 1879.  Therefore, Pi Day also recognizes Einstein's birthday.

·         According to the Guinness World Records, Rajveer Meena from India holds the record for memorizing the most decimal places of Pi.  On March 21, 2015, Meena wore a blindfold and recalled 70,000 decimal places of Pi over a period of 10 hours.

·         Pi is not just a collection of random digits, pi is a journey; an experience; unless you try to see the natural poetry that exists in pi, you will find it very difficult to learn. – Dr. Antranig Basman, Mathematician and Software Developer

 

Pi Day Top Events and Things to Do

 

·         Memorize as many digits of Pi as you can (remember, the World Record Holder was able to memorize 70,000 decimal places of pi).

·         Eat a pie to celebrate Pi day and earn bonus points if you can calculate Pi for your pie's circumference!  Here are some twists on traditional pies that you can try:
1) Avocado and cream cheese pie
2) Cheeseburger and pickle pie made from ground beef, cheese, and chopped dill pickles
3) Mac and Cheese Pie topped with bacon
4) Hot dog pie covered with a layer of cheese
5) Twinkie pie topped with whipped cream

·         Practice your geometry and algebra equations that contain the constant Pi. Here are some useful formulas to help you:
Circumference of a circle = 2 Ο€r
Area of a Circle = Ο€ r^2
Volume of a Cylinder = Ο€ r^2h
where r=radius and h=height

·         Go for a 3.14km walk to celebrate Pi Day.

·         Watch movies about mathematics:
1) Good Will Hunting (1997)
2) A Beautiful Mind (2001)
3) The Number 23 (2007)
4) Rain Man (1988)
5) The Theory of Everything (2014)

Daily Devotions

·         Unite in the work of the Porters of St. Joseph by joining them in fasting: Today's Fast: Catholic Politian’s and Leaders.

·         Offering to the sacred heart of Jesus

·         Make reparations to the Holy Face

·         Universal Man Plan



[2]Thigpen, Paul. Manual for Spiritual Warfare. TAN Books.

[3]https://www.wincalendar.com/Pi-Day




Caught in the Draft (1941)

Production Details

Studio: Paramount Pictures bing.com
Director: David Butler bing.com
Release: June 25, 1941 bing.com
Source Material: Original screenplay by Wilkie C. Mahoney & Harry Tugend bing.com
Genre: Military Comedy / Romance
Runtime: 82 minutes bing.com
Cast: Bob Hope, Dorothy Lamour, Eddie Bracken, Lynne Overman, Clarence Kolb Wikipedia

Story Summary

Don Bolton (Bob Hope) is a Hollywood star famous for playing fearless soldiers—despite being terrified of loud noises, even fake gunfire. When a draft notice threatens his comfortable life, he schemes to avoid service by courting Tony Fairbanks (Dorothy Lamour), the daughter of a visiting Army colonel. His plan collapses when he learns he’s already too old to dodge the draft, and Tony—disgusted by his cowardice—rejects him.

Trying to win her back, Don stages a fake enlistment that backfires spectacularly, landing him, his manager, and his assistant in real Army training. Under the stern eye of Col. Fairbanks, Don stumbles through boot‑camp humiliations, KP duty, and endless mishaps.

During a large-scale war game, a mix‑up sends soldiers into a live artillery zone. Don overcomes his fear of noise to rescue the men—and Tony—proving genuine courage at last. His bravery earns him a promotion to corporal and the right to marry Tony. Wikipedia

Historical and Cultural Influences

Pre‑War American Mood

Released six months before Pearl Harbor, the film reflects a nation on the brink—mobilizing for war but not yet fully committed. Its humor softens the anxieties of the peacetime draft and reassures audiences that ordinary men can rise to the moment. bing.com

Bob Hope’s Wartime Persona

This film helped cement Hope’s identity as the wisecracking everyman who eventually does the right thing. It anticipates his later USO work and his role as a morale‑builder for American troops.

Military Portrayal as Gentle and Accessible

The Army is depicted as firm but forgiving—boot camp is chaotic, but never cruel. This was intentional: Hollywood and the War Department collaborated to encourage enlistment and calm public fears about military life.

Studio‑Era Star Pairing

Hope and Lamour were one of Paramount’s most bankable duos. Their dynamic—his frantic cowardice against her steady moral clarity—became a signature of early‑’40s comedy.

Catholic Themes and Moral Resonances

Courage as a Moral Conversion

Don begins as a man who performs bravery but avoids sacrifice. His arc mirrors the spiritual journey from self‑preservation to authentic virtue—courage born not of ego but of love and responsibility.

Love as a Refining Fire

Tony functions as the moral compass. Her disappointment becomes the catalyst for Don’s transformation, echoing the Catholic understanding that love calls us to become more than we are.

Duty and Vocation

The film treats military service not as glory but as obligation—an echo of the Church’s teaching that vocation often begins in humility and obedience rather than heroism.

Grace in Weakness

Don’s fear is not mocked but redeemed. His eventual bravery emerges precisely through his weakness, a reminder that grace often works through the cracks rather than the strengths.

Hospitality Pairing

Drink:
The Enlistee’s Highball — bourbon or rye with ginger ale, light and era‑appropriate.

Snack:
Popcorn, salted peanuts, or a simple sandwich—evoking a 1941 movie‑night or USO canteen.

Atmosphere:
Warm lamplight, a simple table setting, maybe a vintage‑style radio playing big‑band music to evoke the early‑war American homefront.

Reflection Prompt

Where in your life is God inviting you to move from performing courage to living it—especially in the ordinary duties you’d rather avoid?


Domus Vinea Mariae

Domus Vinea Mariae
Home of Mary's Vineyard

Bourbon & Cigars

Bourbon & Cigars
Smoke in this Life not the Next