This blog is based on references in the Bible to fear. God wills that we “BE NOT AFRAID”. Vincit qui se vincit" is a Latin phrase meaning "He conquers who conquers himself." Many theologians state that the eighth deadly sin is fear. It is fear and its natural animal reaction to fight or flight that is the root cause of our failings to create a Kingdom of God on earth. This blog is dedicated to Mary the Mother of God. "
Virtue: Mercy & Clarity Cigar: Silky, layered (Sumatra) Bourbon: Michter’s US1 — clean, thoughtful* Reflection: “What truth do I name with love.”
The Devotion
Tuesday returns you to the Holy Face—
the Face that reveals truth without violence,
the Face that corrects without crushing,
the Face that holds mercy and clarity
in the same steady gaze.
May 12 carries a sharper grace than last week: the grace of naming truth with love.
Not truth as a weapon.
Not truth as self‑justification.
Not truth as a way to win.
But truth spoken the way Christ speaks it—
with wounds still visible,
with peace still offered,
with mercy still extended.
The Holy Face today is not stern,
but it is unmistakably clear.
There is no fog in His eyes.
No flattery.
No softening of what must be said
for the sake of a soul’s freedom.
This Tuesday asks:
What truth have I avoided naming
because I feared the cost of love?
Christ does not shame you for hesitating.
He simply stands before you
with the same clarity
that steadied the apostles
when they were still half‑afraid
of their own calling.
His clarity is not harsh.
It is clean.
It is merciful.
It is the kind of clarity
that frees rather than wounds.
Pray today:
“Jesus, let me speak truth
with the same love
that shines from Your Holy Face.”
The Purgatory Line
A story for this Tuesday—
one that cuts straight to the virtue of the day.
A deceased Religious appeared to Blessed Stephen.
His face was sorrowful, his posture bowed.
“I am undergoing my Purgatory here,”
he said,
“because here I sinned by tepidity
and negligence at the Divine Office.”
Not scandal.
Not rebellion.
Not public sin. Tepidity.
The quiet refusal to give God the love He deserved.
The slow erosion of clarity.
The soft drift into half‑heartedness.
Blessed Stephen prayed the De Profundis for him.
Each night the soul returned—
its features brightening,
its countenance lifting,
its clarity restored.
Finally, after the last prayer,
the soul rose radiant from the choir stall,
expressed gratitude,
and disappeared into glory.
The lesson is exact:
Neglect of truth,
neglect of duty,
neglect of love—
these cloud the soul.
Mercy clears it.
And mercy often comes
through someone willing
to name the truth with love.
The Cigar & Bourbon
Sumatra — silky, layered.
A wrapper that reveals its depth slowly,
like truth spoken patiently.
Michter’s US1 — clean, thoughtful.*
A bourbon that doesn’t shout,
but clarifies the palate
the way Christ clarifies the heart.
Together they form a quiet discipline: clarity without cruelty,
mercy without softness.
The Question for the Night Smoke
“What truth do I name with love?”
Not:
“What do I want to say?”
but
“What must be said
for the sake of a soul—
including my own?”
Let the smoke rise like a prayer
for every place in your life
where clarity and mercy
must finally meet.
INTRIGUE (1947)
George Raft • June Havoc • Helena Carter
A pre‑Communist Shanghai noir where corruption, loyalty, and buried conscience collide in a city living on borrowed time. Directed by Edwin L. Marin, the film places George Raft in his signature register—controlled, wounded, and morally suspended—while June Havoc delivers a performance of dangerous elegance, and Helena Carter embodies the quiet clarity that forces a man to choose who he will become.
1. Production & Historical Setting
Released in 1947 by United Artists, Intrigue sits at the intersection of:
Post‑war disillusionment — victory has not brought order; the black market thrives in the ruins of empire. George Raft’s late‑career persona — the stoic man with a compromised past and a conscience waiting to be awakened. International noir — American crime stories exported into unstable foreign cities where moral lines blur under neon and fog. Shanghai before the Communist takeover — a Nationalist‑controlled city in collapse, swollen with refugees, profiteers, and foreign opportunists. Authority is weak, corruption is currency, and every transaction has a shadow price.
The world is tight:
airstrips, nightclubs, warehouses, alleys, and the cramped rooms where deals are made and loyalties are broken.
But the moral terrain is wide—
betrayal, conscience, justice, and the cost of choosing truth in a city built on lies.
The cultural backdrop:
A global black‑market economy rising from wartime scarcity
Americans abroad navigating moral ambiguity
Women emerging as power brokers in noir narratives
The wounded veteran archetype—displaced, disillusioned, searching for meaning
A city on the edge of historical collapse, where survival and integrity rarely align
The film’s power lies in its contrasts:
Raft’s stillness, Havoc’s voltage, Carter’s moral steadiness, and a Shanghai that feels like purgatory—
a place where every soul is tested before the fall.
2. Story Summary
Brad Dunham (George Raft)—a former American pilot disgraced by a court‑martial—now flies contraband into Shanghai’s black‑market underworld.
He demands more money, steals back a shipment, and forces a meeting with the real power behind the operation:
Tamara Baranoff (June Havoc)
Elegant. Calculating.
A woman who runs the city’s illicit trade with charm sharpened into a weapon.
She fires her lieutenant, Ramon, and draws Brad into her orbit.
But Brad encounters another force:
Linda Arnold (Helena Carter)
A humanitarian worker tending to orphans and the displaced.
Her presence exposes the human cost of the black market—and awakens Brad’s buried conscience.
When Brad’s friend, reporter Marc Andrews, uncovers the truth about the smuggling ring, he is murdered.
With his dying breath, he reveals the betrayal:
Tamara’s testimony is what destroyed Brad’s military career.
The masquerade collapses.
Brad distributes Tamara’s hoarded goods to the poor, triggering the final confrontation.
Ramon attempts to kill Brad but shoots Tamara instead.
She dies in the empire she built.
Brad walks away with Linda—
not triumphant, but finally clear.
3. Spiritual & Moral Resonances
A. Conscience as Compass
Brad’s arc is the slow reawakening of a conscience dulled by disappointment.
The film honors the moment a man chooses integrity over survival.
B. The Truth Beneath Corruption
Shanghai’s black market exposes the real relationships:
who profits, who suffers, who hides behind lies, and who finally steps into the light.
C. The Cost of Betrayal
Tamara’s power is real, but her betrayal is fatal.
The story reveals that corruption always collapses under its own weight.
D. Mercy as Judgment
Linda’s compassion is not softness—it is clarity.
Her presence judges Brad without condemning him, calling him back to the man he was meant to be.
E. Redemption Without Triumph
There is no grand victory—only the quiet dignity of a man who finally chooses truth over advantage.
4. Hospitality Pairing — The Shanghai Night Spread
A neat pour of Michter’s US1* — clean, thoughtful, the drink of a man sorting truth from fog. A Sumatra‑wrapped cigar — silky, layered, unfolding like the film’s moral tension. Dark chocolate with sea salt — bitterness and clarity in balance. A leather‑bound notebook — the place where a man writes the truths he can no longer avoid.
A setting for nights when you want to reflect on conscience, loyalty, and the moment a man decides to stop living in the shadows.
5. Reflection Prompts
Where have I allowed disappointment to dull my conscience.
What truth about my past still needs to be faced with clarity.
Who in my life calls me back to integrity without shaming me.
What corrupt “arrangements” have I tolerated because they were convenient.
Where is redemption already beginning, quietly, beneath the surface.
Theme: Intercession & Responsibility Cigar: El Cheapo bundle stick — rough, uneven, penitential Drink: Evan Williams Black — honest, unvarnished, working‑class Virtue: Intercession & Responsibility
Reflection: St. John Vianney doesn’t give you a metaphor. He gives you a voice — the cry of souls who can no longer help themselves:
“They suffer… they weep… they demand with urgent cries the help of your prayers… Tell them that since we have been separated from them, we have been here burning in the flames!”
There is nothing sentimental in that. No soft edges. Just the blunt truth that love continues past death — and that responsibility does too.
Tonight’s cheap cigar fits the work. It burns crooked, tastes harsh, flakes ash like it’s shedding its own impatience. It demands attention. It refuses to let you coast. It’s a reminder that purification is not elegant. It is gritty, uneven, and real.
Evan Williams Black does the same work: straightforward, unpretentious, penitential in its own way. A drink that doesn’t pretend to be more than it is — and therefore pairs perfectly with a night meant for the dead, not for your palate.
This is the masculine heart of intercession:
not mystical fireworks, not emotional theatrics, but the steady willingness to stand in the gap for those who cannot stand for themselves.
Your smoke becomes a small offering. Your discomfort becomes a small mercy. Your prayer becomes a rope lowered into the fire.
And the souls — forgotten by many, remembered by few — wait for men who will take responsibility for the bonds of love that death could not sever.
If you wish me good, pray for my dead. If I wish you good, I will pray for yours.
Intercession is the friendship that continues beyond the grave. Responsibility is the love that refuses to abandon its own.
And purification is walked, not theorized — by them in fire, by you in charity.
Monday Night at the Movies
🔸 May 2026 – Martyrdom & Eucharistic Mystery
May 4 – A Short Film About Love(1988)
May 11 – Make Way for Tomorrow (1937)
May 18 – Ben-Hur (1959)
May 25 – The Passion of Joan of Arc (1928)
Martyrdom in May is not a theme but a progression. These four films form a single ascent: a man learns to see rightly, to love faithfully, to surrender vengeance, and finally to offer his life without reserve. A Short Film About Love begins the month by stripping desire of its illusions; it shows how distorted longing must die before any true gift of self can emerge. Make Way for Tomorrow then reveals the quiet crucifixion of fidelity — the kind of daily, hidden sacrifice that forms the backbone of every Eucharistic life. By the time Ben‑Hur arrives, the pattern is unmistakable: the blood of Christ breaks the cycle of retaliation and reorders the heart toward mercy.
The month culminates in The Passion of Joan of Arc, where the interior work becomes visible witness. Joan stands before her judges with nothing left to protect, her face becoming the icon of a soul fully offered. In her, the Eucharistic mystery reaches its final clarity: a life consumed in obedience, a body given up, a will aligned with God’s. The May sequence teaches that martyrdom is not an event but a formation — the slow, disciplined shaping of a man into something that can be placed on the altar and broken for others.
MAY 11 Monday of the Sixth Week of Easter
Rogation Monday-Twilight Zone Day
1 Samuel, Chapter 23, Verse 15
While David was in the wilderness
of Ziph at Horesh he was AFRAID that
Saul had come out to seek his life.
David
trusted his life to God and did what was righteous.
The
Philistines are robbing grain at Keilah, so David and his men go attack them.
Even
though Saul is after them, David still knows he needs to protect the people for
God.
After
David defeats the Philistines, Saul learns of David's whereabouts (1-8).
David
learns that Saul is coming for him and he starts freaking out.
God
informs David that the people will turn him over to Saul this time, which is a
hard lesson for David because even though he was acting on the people's behalf,
they were willing to stab him in the back (9-13).
Even
though Saul is unable to find David, Jonathan finds him no problem. BFFs can be
like that. Jonathan encourages David to keep fighting the good fight because
one day he will be king of Israel as God intends (14-18).
Saul
learns that David is staying in the wilderness of Ziph with his merry men a la
Robin Hood. Saul starts chasing through Ziph and a variety of other areas.
Unfortunately
for Saul, David is quick as lightning and always avoids danger. At one point,
Saul and his men are on one side of a mountain and David and his men are on the
other side. Tough luck, Saul.
Saul
gets word the Philistines are raiding the land. For once, Saul makes a good
decision and goes to defend the Israelites against the Philistines (15-29).
We glorify God when we are
righteous as he is righteous who makes the rain fall on both the good and the
evil.
Copilot’s Take
David’s fear in the wilderness of Ziph is not the
fear of a man who doubts God, but the fear of a man who knows the weight of his
calling. Scripture tells us he was afraid because Saul was seeking his life,
yet this fear drives him toward God rather than away from Him. The righteous
man does not pretend danger is imaginary; he simply refuses to let danger
dethrone the Lord. This is the difference between David and Saul—one fears God,
the other fears losing control.
David’s righteousness is revealed most clearly in
his decision to defend Keilah. He protects the people even though he knows Saul
is hunting him and even though God warns him that the very people he rescues
will betray him. This is the hard edge of justice: doing what is right because
God is worthy, not because the crowd is loyal. David acts for God’s sake, not
for applause, and in doing so he mirrors the God who sends rain on the just and
the unjust alike.
Jonathan’s appearance in the wilderness is a
reminder that God strengthens His servants through the right friends. Jonathan
does not flatter David or distract him; he strengthens his hand in God. True
friendship is not sentimental—it is covenantal. It calls a man back to his
mission when fear or fatigue threatens to erode his resolve. Jonathan sees what
Saul cannot: that God’s hand is on David, and no amount of royal paranoia can
change the will of heaven.
Saul, meanwhile, becomes a tragic study in
misdirected warfare. He chases David while ignoring the Philistines, fighting
the man who threatens his ego instead of the enemy who threatens Israel. When a
leader loses the fear of the Lord, he loses the ability to recognize the real
enemy. Saul’s obsession blinds him, and his blindness becomes a danger to the
very people he was anointed to protect.
Yet even as Saul closes in, God’s providence keeps
David just beyond his reach. The image of Saul on one side of the mountain and
David on the other is a living parable: evil can surround, pursue, and
threaten, but it cannot claim the man who walks in the will of God. David is
not lucky—he is kept. God governs the story even when the wilderness feels like
chaos.
This chapter becomes a mirror for every age. Evil
hunts the righteous, crowds remain fickle, betrayal is common, and leaders
often chase the wrong enemy. Yet God continues to form His servants in hidden
places, teaching them courage, discernment, justice, and perseverance. David
becomes a king in the wilderness long before he becomes king in Jerusalem,
because the will of God shapes a man before it crowns him.
In the end, David shows that righteousness is not
the absence of fear but the refusal to let fear dictate obedience. The man who
fears God more than danger becomes unassailable—not because he is strong, but
because he is aligned with the One who governs all things.
Rogationtide Monday
Rogation
Days are a Roman Catholic "baptism" of the Robigalia, a pagan
procession to gain favor from the Robigo, the Roman god of grain. Since the
Church had no objection to praying for the harvest, it threw out Robigo while
keeping the procession and prayers. Today would be a good day to reflect on
what we want to harvest this fall; so like farmers we must till the soil of our
soul reflecting this day on our use of our TIME and look at in what ways we may
offer our time to Christ to help build a harvest for His Kingdom.
Time
Consider
that Christ was on the cross from noon to 3 p.m. Three hours that must have
seemed an eternality to literally buy us back from damnation.
Reflect
today if you in turn can sacrifice 3 hours a week to give back to the Lord.
Yes, time is a precious commodity:
Consider:
·Sunday
Mass is one hour can you give more?
·Each
day has 24 hours.
oNormally
you use 8 hours for sleep-offer your sleep to the Lord.
§If
you wake in the middle of night give an hour to prayer and go back to sleep in
the Lord.
oNormally
you use 8 hours to earn your daily bread and a place to sleep.
§Before
you eat your bread and place your head on your “my pillow” thank the Lord.
oNormally
you have 8 hours to bake the bread, make your bed; make sure your fed; wash
your head. Exercise and make use of your squatty potty, etc.
oBrother
can you spare some time for the Lord
·The
rosary takes 20 minutes.
Rogation Monday
Rogation Days: Monday, Tuesday, and Wednesday before
the Ascension are observed as days of solemn supplication and are called
Rogation Days. These three Rogation days serve also as preparation for the
feast of the ascension, which reminds us that we have the most powerful
intercessor in our savior, who is now enthroned at the right hand of the
father. Since 1929 many churches in the United States have observed Rogation
Sunday as Rural Life Sunday, or Soil Stewardship Sunday. Services on this day
examine the religious aspects of rural life. In 1969 the Roman Catholic Church
cancelled the Rogation Days. In their place Church authorities instituted days
of prayer for human needs, human works, and the fruits of the earth. Local
bishops may now set appropriate dates for these observances in their dioceses.
Rogationtide
Monday
Rogation Days are a Roman Catholic
"baptism" of the Robigalia, a pagan procession to gain favor
from the Robigo, the Roman god of grain. Since the Church had no objection to
praying for the harvest, it threw out Robigo while keeping the procession and
prayers. Today would be a good day to reflect on what we want to harvest this
fall; so like farmers we must till the soil of our soul reflecting this day on
our use of our TIME and look at in what ways we may offer our time to Christ to
help build a harvest for His Kingdom
Catholic Time
Holy Days
Sunday: The Holy Trinity – Sunday
is dedicated to the Holy Trinity. This is entirely fitting as Sunday is the
first day of the week and the day when we offer God, Father, Son, and Holy
Spirit our praise, adoration, and thanksgiving.
Monday: The Angels – Monday is the day in
which we remember the angels. Angels are powerful guardians, and each of us is
protected by one. Many of the saints had a great devotion to the angels in
general and to their guardian angel in particular.
Tuesday: The Apostles –
The Catholic Church is apostolic. That is, it is founded on the authority and
teaching of the apostles, most especially that of St. Peter to whom Jesus gave
the keys of his kingdom. Each bishop is a direct successor of the apostles.
Wednesday: Saint Joseph – Saint Joseph is known as the prince and
chief patron of the Church. As the earthly father of Jesus, he had a special
role in protecting, providing for, and instructing Jesus during
his earthly life. Now that Christ is ascended into heaven, St. Joseph continues
his fatherly guardianship of Christ’s body, the Church.
Thursday: The Holy Eucharist
– Our Lord instituted the most holy Eucharist on a Thursday, so it is
fitting that we remember this greatest of sacraments on this day. The Eucharist
is the greatest gift of God to mankind, as it is nothing less than
Jesus himself. What gift could be greater?
Friday: The Passion – Jesus was scourged, mocked, and
crucified on a Friday. Because of this, the Church has always set aside Fridays
of days of penance and sacrifice. While the U.S. sadly does not require
abstinence from meat on Fridays, penance is still required in one form or another.
This day should always be a day of repentance and a day in which we recall
Christ’s complete self-sacrifice to save us from our sins.
Saturday: Our Lady – There are a number
of theological reasons Saturdays are dedicated to Our Lady, perhaps the most
significant is that on Holy Saturday, when everyone else had abandoned
Christ in the tomb, she was faithful to him, confidently waiting for his resurrection
on the first day of the week.
Holy
Months
January: The Holy Name of Jesus –
There is no name more powerful than the name of Jesus. The Catechism sums up
the power of this name beautifully: “The name ‘Jesus’ contains all: God and man
and the whole economy of creation and salvation. To pray ‘Jesus’ is to invoke
him and to call him within us. His name is the only one that contains the
presence it signifies. Jesus is the Risen One, and whoever invokes the name of
Jesus is welcoming the Son of God who loved him and who gave himself up for
him” (CCC #2666)
February: The Holy Family –
The Holy Family is an earthly reflection of the Holy Trinity. By meditating on
the Holy Family, we can learn the meaning of love, obedience, and true
fatherhood and motherhood. We are also reminded that the family is the
foundational unit of both society and the Church.
March: St. Joseph – St. Joseph is the
icon of God the Father: silent but active and perfectly providing for the needs
of all. The Church constantly invokes the protection of St. Joseph, admonishing
us to ite ad Joseph, go to
Joseph.
April: The Blessed Sacrament – Holy
Church is the guardian of
the Holy Eucharist. For two thousand years, she has guarded
this treasure, administering it to the faithful and proclaiming that it is
nothing less than Jesus himself. We can never be too devoted to the Blessed
Sacrament or show it too much honor.
May: The Blessed Virgin Mary –
Our Lady has long been associated with the beauty of flowers and the coming of
spring. This is fitting because she is both beautiful and the Mother of our
Lord Jesus Christ, who is the life of the world. In May, the Church
remembers our glorious lady with crownings and processions in her honor.
June: The Sacred Heart of Jesus –
The Sacred Heart of Jesus is the revelation of God’s immense love for us. It is
often depicted as a fiery furnace, pierced and broken, but beating with love.
The Sacred Heart is also a profound reminder of the humanity of our Lord, for
his heart is not a mere symbol, but a true physical reality.
July: The Precious Blood –
The blood of Christ saves us from sin. It is the blood of Christ that gives us
the hope of heaven. St. Paul tells us that Jesus reconciled “to himself all
things, whether on earth or in heaven, making peace by the blood of his cross”
(Col. 1:20). Without the blood of Christ shed for us, all would be lost.
August: The Immaculate Heart of Mary –
The heart of Mary is a motherly heart, a heart full of love and mercy for her
children. The heart of Mary is also the channel through which all the graces of
God flow down to us. She is “our life, our sweetness, and our hope.”
September: The Seven Sorrows of Mary –
Aside from Jesus, no human being has suffered more than our Blessed Mother. In
perfect obedience to the will of God, she consented to her son’s torture,
humiliation, and brutal executed for our salvation. As any parent knows,
watching one’s child suffer is the greatest suffering of all. She still bears
the sufferings of her divine Son in her heart.
October: The Holy Rosary – The
rosary is one of the most powerful weapons the Church possesses. We are
constantly exhorted by saints, popes, and Our Lord and Our Lady themselves to
pray this simple yet profound prayer. Accordingly, Mother Church has set aside
a whole month to the promotion of this prayer.
November: The Souls in Purgatory
– The souls in purgatory are suffering a great deal, and they cannot pray
for themselves. They are our brothers and sisters, and as members of the body
of Christ, we must pray and offer sacrifices for those who have gone before us,
asking that they may rest in the light of God’s presence.
December: The Immaculate Conception – The
Immaculate Conception of Mary is a profound mystery. In the Immaculate
Conception, Mary was without sin from the first moment of her conception. She
is perfectly united forever to her spouse, the Holy Spirit. Their fruitful
union produced a wedding of heaven and earth in the Godman, Jesus Christ. We
will meditate on these truths for all eternity.
Time is a
Gift
The Church takes seriously the call to sanctify all
things, even time. The Catholic significance of days and months is a
profound reminder that our lives are finite, and that time should not be
squandered. As the Psalmist said, “teach us to number our days that we may
get a heart of wisdom” (Ps. 90:12). But more than anything, it reminds us
that time is a gift from God, and with him and through him, all things are
holy, and nothing is without meaning.
Bible in a
year Day 310 Rivals
for the Heart
Fr. Mike points out how easy it is to take
good things and make idols out of them, setting them up as God's rivals for our
hearts. We can discover these rivals by noticing the things we prioritize over
spending time with God. The readings are 2 Maccabees 13, Wisdom 15-16, and
Proverbs 25:15-17.
Twilight Zone Day[2]I think the current rulers of this world are stranger than the twilight
zone where everything was strange and surreal, and nothing was ever quite as it
seems to be.
“You are about to enter another dimension, a
dimension not only of sight and sound but of mind. A journey into a wondrous
land of imagination. Next stop, the Twilight Zone!”
Beloved
by children, teenagers, and adults alike, the cult classic TV show The Twilight
Zone has affected entire generations of people, prompting them to take a closer
look at life and various phenomena and take nothing for granted, thanks to its
unique combination of science fiction, mystery, and thriller/horror themes. Not
to mention how many of today’s well-known actors got their start in it—Burt
Reynolds, Leonard Nimoy and William Shatner, to name but a few. How then could
this majorly influential show not have its own holiday?
The
Twilight Zone was created by acclaimed television producer Rod Sterling in
1959, with the first episode premiering on October 2nd. At the time of its
release, it was vastly different from anything else on TV, and it struggled a
bit to carve out a niche for itself at the very beginning. In fact, Sterling
himself, though respected and adored by many, was famous for being one of
Hollywood’s most controversial characters and was often call the “angry young
man” of Hollywood for his numerous clashes with television executives and
sponsors over issues such as censorship, racism, and war. However, his show
soon gained a large, devoted audience. Terry Turner of the Chicago Daily News
gave it a rave review, saying, “…Twilight Zone is about the only show on the air
that I actually look forward to seeing. It’s the one series that I will let
interfere with other plans”. The Twilight Zone ran for five seasons on CBS from
1959 to 1964.
Twilight
Zone Day is an annual holiday created to celebrate this thought-provoking
television series, where everything was strange and surreal, and nothing was
ever quite as it seemed to be.
How to celebrate Twilight Zone Day
There are a number of ways to celebrate Twilight
Zone Day, and the one you choose may be connected to how well you know this TV
series. Believe it or not, there are still people out there who have never seen
it! You could watch some episodes from the classic series, perhaps “To Serve
Man”, “It’s a Good Life”, or “The Eye of the Beholder”, episodes that are
widely considered some of the very best in the entire series. If you don’t know
the series and would like to get a taste of what it was like in a nutshell, you
could also watch the 1983 Twilight Zone Movie. If, on the other hand, you know
The Twilight Zone very well, you could get together with some other Twilight
Zone aficionados and play Twilight board or trivia games. Alternately, you
could discuss who you think were the strangest Twilight Zone villains, and what
the true reasons were for them being the way they were. And what would a good
party be without some tasty drinks? Yes, there are Twilight Zone cocktails!
Finally, you can try making Twilight Zone cocktails,
by mixing Bacardi White, Dark and 151 Proof Rum, Triple Sec, pineapple and
orange juices. Sounds pretty scrumptious, right? And that’s not its only
benefit—if you have a few Twilight Zone Cocktails, you may well find yourself
transported to a different dimension, too!
It is more than one day of
honor. It’s an entire week! Join us as we celebrate a week of Military
Appreciation Days – May 15 through May 17, 2024 – for each branch of the Armed
Forces followed by a special lunch on Armed Forces Day on May 18, 2024.
Starting on Monday, May
13, 2024, all active-duty service members and veterans can enjoy a Free
Sandwich on their designated day. These brave men and women have fought for our
freedom, and we are proud to honor them. Please join us in this weeklong
celebration.
The celebration continues
on Armed Forces Day. Join us for a special lunch with Our Heroes on Saturday,
May 20 between 11 am and 2 pm. All active-duty service members and veterans
will receive a Free Sandwich. And we will have a special live performance of
our National Anthem at noon. We look forward to celebrating this special day
with Our Heroes!
Armed Forces Day Build Up
Every
day from now to Armed Forces Day I ask your prayers for each service and all of
our defenders.
As priest-chaplains of the
Archdiocese for the Military Services we invite you to join with us in prayer.
In times of joy and difficulty, in times of fear and doubt, in moments of
distress and in times of peace, a simple prayer that comes from the heart becomes
the place of your encounter with God’s love, mercy and protection.
Let us pray for our
brothers and sisters as they go forth with courage and determination to face
the forces of violence, weapons of destruction and hearts filled with
hate.
RESPONSE:
THROUGH THE DARKNESS BRING US TO THE LIGHT.
For our President
and Commander-In-Chief, and our political and military leaders that they may
tirelessly seek peaceful settlements to international disputes; we pray to the
Lord:
Through the Darkness Bring Us to
the Light.
That the Lord may preserve
the members of our Army, Navy, Marines, Coast Guard and Air Force from all
harm; we pray to the Lord:
Through the Darkness Bring Us to
the Light.
That even in war, we may
keep clearly before us the defense of all human rights, especially the right to
life, liberty and the pursuit of happiness; we pray to the Lord:
Through the Darkness Bring Us to
the Light.
That the families,
relatives and friends of our military members may be strengthened in this time
of concern and anxiety; we pray to the Lord:
Through the Darkness Bring Us to
the Light.
That the Lord may help
families with men and women in the armed forces to cope with daily challenges
in the absence of their loved ones; we pray to the Lord:
Through the Darkness Bring Us to
the Light.
That our homeland will be
preserved from violence and terrorism; we pray to the Lord:
Through the Darkness Bring Us to
the Light.
That the nations of the
world will seek to work together in harmony and peace; we pray to the Lord:
Through the Darkness Bring Us to
the Light.
That the hearts of all men
and women will be moved to pursue true peace and justice; we pray to the Lord:
Through the Darkness Bring Us to
the Light.
That violence may be
overcome by peace; that weapons of destruction be transformed into tools of
justice, and hate give way to true charity; we pray to the Lord:
Through the Darkness Bring Us to
the Light.
That we may be grateful
for and inspired by those veterans who have given their lives for our country
and that we may bravely face the challenges ahead; we pray to the Lord:
Lord God, Almighty Father, creator of mankind and author of peace, as
we are ever mindful of the cost paid for the liberty we possess, we ask you to
bless the members of our armed forces. Give them courage, hope and strength.
May they ever experience your firm support, gentle love and compassionate
healing. Be their power and protector, leading them from darkness to light. To
you be all glory, honor and praise, now and forever. Amen.
The special need for more
frequent Communion is on the part of the men and the older boys. No man can
afford to "keep his religion in his wife's name." The man is by
nature the head of the family, and the family usually ends up where he leads. He
can't expect his family to continue to live a very vital Catholic life unless
he sets the example. As an Army captain can't hole-up in some rear line trench
and cry out, "Onward, Christian soldiers!” neither can the husband and
father expect his wife and children to do much in the Church Militant if he is
a non-combatant, "too proud to fight."
An interesting evidence of
the power of example of the adult male in encouraging devout religious practice
was had in England during World War II. In a certain Catholic orphanage, the
larger boys were refusing to obey the Sisters' directives to approach the
Communion rail with folded hands. In the neighborhood of the orphanage was a GI
camp whose soldiers soon became heroes to the orphan lads. One day a crowd of
the GI's came to Mass in the orphanage and went to Communion, of course with
hands devoutly folded as is done in our country. When the orphan boys saw Tex
and Bill and Tom properly approaching the Communion rail, the troubles of the
Sisters with the boys were over. "Example is the school of mankind, and
they will learn in no other way."
Joan sets us an example of
a laywoman who refuses to be cowed by threats and intimidations from
'authority,' even legitimate authority abusing its powers. May 14, 2020 (LifeSiteNews) — On May
16, 1920, in a
ceremony attended by over 30,000 people — including over a hundred descendants
of her family — Pope Benedict XV canonized St. Joan of Arc (c. 1412–1431), the
Maid of Orléans.
St. Joan of Arc is
remarkable in so many ways. I would like to draw attention to a few aspects of
her life and character that hold pointed lessons for us today.
First, as a young woman, Joan practiced
a deep, humble, and serious piety. The age-old practices of the Catholic faith
were enough to take her to the heights of sanctity and the gift of herself for
her country and her Lord. She listened to the Lord’s voice as He spoke to her
through the saints and through circumstances, and she obeyed His will
unflinchingly. St. Michael the Archangel addressed her as “Jehanne the Maid,
Child of God,” for this is what she was and always remained. Instead of
allowing herself to be distracted by worldly motivations, she followed the path
God set for her, in spite of its difficulty. She is, in other words, the exact
antithesis of churchmen today who would water down the demands of God’s law,
the necessity of self-denial in adhering to it, and the supernatural motives
that should sustain us.
Second, Joan boldly stepped into a public
role at God’s behest, but without losing her femininity. She did not wage war
with the soldiers, but simply led them in formation. She would not, in
principle, kill or wound anyone. There is not the remotest chance that she
would ever condone women fighting in the military and being trained to kill —
the absurdity of actual or potential nurturers of life taking it voluntarily.
In this, she is an example of true Christian womanhood: strong and courageous,
willing to stick her neck out, willing to lead (as she herself was willing to
be led by her Master), but not stupidly trying to be a man. She did not think
equality with maleness as something to be grasped but emptied herself and
became a servant. In this way she provided an example of being true to her
identity and vocation that is resoundingly necessary for both women and men
to heed in a world that has become confused about how many sexes there are and
who belongs to which “division” of the human race. (And it is indeed a division
— but it need not be an opposition or antagonism, in the way that both male
chauvinism and feminism imagine it to be, each feeding off the other. Real
difference makes possible a deeper communion and cooperation than uniformity
and replaceability, even as, in the Church, the priest’s role as mediator is
seen to be essentially different from that of the laity, since he acts on their
behalf in persona Christi capitis, in the person of Christ the Head of
the Church. In a similar way, the husband in a family has the calling to
imitate and represent the headship of Christ. As St. Paul explained so well,
one cannot have a functional organic body if it’s made up only of arms or hands
or eyes or, for that matter, heads. Real difference and distinction, when
embraced in a spirit of servanthood, confer a mutual benefit that far exceeds
what one could obtain independently. Hierarchy and unity are correlative, not
opposed, as democracy falsely assumes.)
Third, Joan is a model of the virtues of
chastity and purity. Feminists like to point out that she donned a man’s
clothing at a time when this was considered immoral. Yet all historians are
agreed that the reason Joan wore a man’s clothing during her public service,
and later in prison, was to protect herself against the danger of rape from the
soldiers and enemies among whom she had to dwell. The ordinary women’s clothing
of the time offered no such defense, and she would not have had the leisure or
the talent to create a new and better fashion de novo. She complained to
the tribunal that an English lord had attempted to violate her in prison. Like
St. Maria Goretti, St. Joan prized the gift of her virginity and defended it.
She knew her worth and her dignity as a woman and a human being.
Fourth, Joan was condemned by an
ecclesiastical kangaroo court presided over by a corrupt bishop, Pierre
Cauchon, with the complicity of corrupt clergy. As everyone knows who has read
Joan’s life, she was falsely charged with heresy and condemned to be burnt at
the stake. The trial was later re-evaluated by the Church and found to be
gravely defective and irregular on numerous counts — indeed, not to mince
words, it was a wicked sham, an excuse for murdering an inconvenient and too
popular figure who could not be readily controlled by those in power. We live
today in a world in which most of episcopacy is corrupt on several levels —
doctrinally, through failing to teach the Catholic Faith in its integrity, if
not positively adhering to modernist views, or morally, due to practicing
sexual abuse, or covering it up, or tolerating its existence, or liturgically,
by refusing to model right worship or to correct impious deviations, or,
indeed, all three at once. Joan sets us an example of a laywoman who refuses to
be cowed by threats and intimidations from “authority,” even legitimate
authority abusing its powers, and who would rather die for a right conscience
than falsely admit to wrongdoing. She ought to be recognized as the patron
saint of those who have been victimized by the Church’s hierarchy.
St. Joan of Arc, the Maid of Orléans,
patroness of France,
pray for us.
THIS
WE BELIEVE
PRAYERS AND TEACHINGS OF THE CATHOLIC
CHURCH
Prayer After Mass
Lord
Jesus Christ, take all my freedom,
my memory, my understanding, and my will.
All that I have and cherish
you have given me.
I surrender it all to be guided by Your will.
Your grace and Your love
are enough for me.
Give me these, Lord Jesus,
and I ask for nothing more. Amen.
Around the Corner
·Eat waffles and
Pray for the assistance of the Angels
A domestic tragedy where aging, duty, and quiet heartbreak collide with the era’s most uncomfortable truth: families often fail the people who raised them. Directed by Leo McCarey, the film strips away sentimentality and exposes the moral cost of convenience. Victor Moore and Beulah Bondi give performances of devastating restraint—two ordinary people whose love is stronger than the world’s indifference.
Sources: walmart.com
1. Production & Historical Setting
Released in 1937 by Paramount Pictures, Make Way for Tomorrow stands at the crossroads of:
Post‑Depression realism — the economic wounds of the 1930s still raw, with aging parents often displaced by financial collapse. McCarey’s moral seriousness — the same year he won an Oscar for The Awful Truth, he quietly made the film he considered his best. The rise of social‑problem cinema — stories about poverty, aging, and the fragility of the American family. The shift from sentimental elder portrayals — no soft lighting, no comforting illusions, just the truth of what happens when love outlasts resources.
The world is small:
living rooms, boarding houses, train stations, and the polite suffocation of middle‑class respectability.
But the moral terrain is vast—duty, gratitude, sacrifice, and the quiet heroism of two people who refuse to stop loving each other even as their children retreat.
The cultural backdrop:
The elderly as economic burdens in a recovering nation
Adult children torn between compassion and convenience
Marriage as a lifelong covenant tested by poverty
The American home as both sanctuary and battleground
The growing fear of institutionalizing aging parents
The film’s power lies in its restraint: Bondi’s trembling dignity, Moore’s gentle optimism, and the slow, unbearable realization that love is not enough to keep them together.
2. Story Summary
Barkley and Lucy Cooper (Victor Moore and Beulah Bondi) lose their home to foreclosure after fifty years of marriage. Their five adult children gather—not to solve the problem, but to distribute the inconvenience.
No one will take both parents.
So the couple is separated:
Lucy goes to live with her son George and his socially anxious wife Anita.
Barkley goes to his daughter Cora, who treats him as a disruption to her routines.
The separation becomes a slow unraveling:
Lucy’s presence embarrasses Anita’s social circle.
Barkley’s cough becomes an excuse to send him away to California.
Phone calls between the couple become their only refuge.
Their children speak of them with polite cruelty—“practicality,” “space,” “timing.”
Then comes the luminous final day:
A reunion.
A borrowed afternoon.
A walk through the city like young lovers.
A dinner where strangers treat them with more kindness than their own children.
A dance.
A promise to meet again.
And then the train pulls away.
The ending is quiet, devastating, and morally unanswerable.
3. Spiritual & Moral Resonances
A. Fidelity as a Lifelong Vow
Barkley and Lucy’s marriage is the film’s moral center—steady, tender, unbroken even by poverty or separation.
Their love is a covenant, not a convenience.
B. The Sin of Polite Neglect
The children are not villains—they are busy, embarrassed, self‑protective.
The film exposes the spiritual danger of “reasonable” selfishness.
C. The Dignity of the Elderly
Lucy’s line—“The only fun left is pretending”—reveals the inner world of those who feel themselves becoming invisible.
The film insists on their humanity.
D. The Judgment of Ordinary Choices
No one commits a dramatic betrayal.
Instead, the tragedy emerges from small decisions:
postponements, excuses, rearrangements, “just for now.”
The moral cost accumulates quietly.
E. Love Without Rescue
There is no miracle, no reversal, no sentimental salvation.
Only the truth that love can be deep, faithful, and still powerless against the world’s indifference.
4. Hospitality Pairing — The Last‑Day Supper
A warm cup of black tea — simple, comforting, the drink of long marriages
A slice of apple pie — American sweetness with a bitter edge
A wool blanket — the texture of shared years and quiet endurance
A small table set for two — intimacy in a world that has no room for them
A setting for nights when you want to honor memory, fidelity, and the cost of loving to the end.
5. Reflection Prompts
Where have I mistaken convenience for compassion?
Whom have I quietly pushed to the margins of my life?
What promises have I allowed circumstances to erode?
How do I honor the elders whose sacrifices built my world?
Where is love asking me to stay faithful even when the world says “be practical”?
“Make Way for Tomorrow” and the Catholic Art of Dying Well
A Film Review and Spiritual Reflection
There are films that entertain, films that instruct, and films that quietly wound. Leo McCarey’s Make Way for Tomorrow (1937) belongs to the last category—a story so gentle in its telling and so brutal in its implications that it lingers like a bruise. Orson Welles famously said it would “make a stone cry.” What he didn’t say is that it also exposes the spiritual poverty of a culture that has forgotten how to accompany the dying.
Viewed through a Catholic lens, Make Way for Tomorrow becomes more than a social drama. It becomes a meditation on the conditions necessary for a holy death, and a warning about what happens when those conditions collapse.
I. The Plot as a Parable of Abandonment
The story is simple:
Barkley and Lucy Cooper, an elderly couple who lose their home, are forced to separate and live with different adult children. Their presence is inconvenient. Their needs are embarrassing. Their love for each other is treated as a logistical problem.
The film’s final act—two old people savoring their last hours together before being separated forever—plays like a secular Stations of the Cross. There is no villain, only a society that has normalized the quiet disposal of its elders.
Catholic tradition has a name for this: the sin of abandonment.
II. What the Film Reveals About the Modern Deathbed
The Coopers are not dying in the literal sense, but they are undergoing a slow social death:
They are displaced from their home.
They are separated from each other.
They are tolerated, not loved.
They are managed, not accompanied.
This is precisely the opposite of the Catholic vision of dying well.
The Church teaches that the final season of life requires four things:
Presence
Sacraments
Reconciliation
Hope
The Coopers receive none of these. Their tragedy is not poverty—it is isolation.
III. The Catholic Counter‑Vision: How One Should Die
The Church does not romanticize death. It prepares for it.
A Catholic death is built on four pillars:
1. Die Reconciled
The Coopers are never given the chance to “put their house in order.” Their children are too busy protecting their own comfort to notice the spiritual needs of their parents.
Catholic dignity demands the opposite:
Confession, Anointing, and Viaticum are not luxuries. They are the final provisions for the journey.
2. Die Accompanied
The film’s emotional violence comes from the couple’s forced separation. Catholic tradition insists that no one should die alone—not physically, not emotionally, not spiritually.
The Coopers’ loneliness is the film’s indictment of modernity.
3. Die Surrendered
Bark and Lucy accept their fate with a heartbreaking gentleness. Their surrender is not Christian surrender—it is resignation. They are not offering their suffering; they are simply enduring it.
The Church invites something deeper: the conscious offering of one’s final suffering for the salvation of others.
4. Die in Hope
The film ends without hope. There is no eschatology, no promise, no horizon. Just a train pulling away.
Catholic dignity insists that death is not a train to nowhere but a passage into the Father’s house.
IV. The Film’s Prophetic Warning
Make Way for Tomorrow was released in 1937, but it reads like a prophecy of the 21st century:
Nursing homes replacing family care
Adult children overwhelmed by busyness
Elders treated as burdens
Death sanitized, outsourced, and hidden
The film is not about cruelty. It is about the quiet erosion of duty.
Catholic tradition calls this erosion by its true name: the breakdown of the Fourth Commandment.
V. What the Film Teaches Catholics Today
The film forces a question: Where will we die, and who will be there?
The Catholic answer is not sentimental. It is architectural:
Die where the sacraments can reach you.
Die where love is present.
Die where you are not alone.
Die in a place shaped by prayer.
This may be a home.
It may be a hospice room turned into a chapel.
It may be a hospital bed surrounded by family praying the Litany of the Saints.
The location matters less than the communion.
VI. The Final Scene as a Secular Memento Mori
The last moments of the film—Bark boarding the train, Lucy waving goodbye—are devastating because they feel unfinished. There is no blessing, no prayer, no ritual, no promise of reunion.
It is a death without the vocabulary of hope.
Catholicism supplies the missing language:
“Go forth, Christian soul.”
“May the angels lead you into paradise.”
“May the martyrs receive you at your coming.”
The Church refuses to let anyone die the way the Coopers are left: unaccompanied, unblessed, and unseen.
VII. Conclusion: The Film as a Call to Conversion
Make Way for Tomorrow is not merely a critique of family dynamics. It is a call to recover the Catholic art of dying well.
It asks us:
Will we accompany our elders?
Will we prepare for our own death?
Will we build homes where dying is not a crisis but a sacrament?
The Coopers’ tragedy is that they die socially before they die physically.
The Catholic answer is to ensure that no one dies spiritually before they die bodily.
The film shows what happens when a society forgets the dignity of the elderly.
The Church shows what happens when we remember.
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